Platines vinyle

Pour commémorer le 50e anniversaire de Pearl, la réédition UltraDisc One-Step de MoFi porte les performances étonnantes de Joplin and Co. à des niveaux encore jamais atteints. Janis Joplin n'aurait pu renier l'album "Pearl". La chanteuse de la centrale s'était débarrassée de ses addictions, s'était associée à un groupe formidable et à un producteur qui savait comment mettre sa voix en valeur. Elle s'est présentée aux séances avec de nombreuses chansons étonnantes et un élan d'énergie créatrice qui reflétait son état émotionnel rajeuni et son esprit indéniable. Vous pouvez l'entendre sur chaque note du disque de 1971. Classée n° 135 sur la liste des 500 meilleurs albums de tous les temps de Rolling Stone, Pearl s'est vendue à plus de quatre millions d'exemplaires et est la première superstar du rock féminin en studio. 1. Move Over 2. Cry Baby 3. A Woman Left Lonely 4. Half Moon 5. Buried Alive In the Blues 6. My Baby 7. Me and Bobby McGee 8. Mercedes Benz 9. Trust Me 10. Get It While You Can

Bob Dylan - Oh Mercy (Numbered Edition 180g 45rpm Vinyl 2LP)

Strictement limitée à 7 000 exemplaires numérotés et pressés sur MoFi SuperVinyl chez RTI, l'édition collector UD1S de Mobile Fidelity fait revivre «Couldn't Stand the Weather» avec un réalisme, une puissance et une authenticité sans précédent. Comme la tornade de la pochette de l'album, «Couldn't Stand the Weather» de Stevie Ray Vaughan souffle avec une intensité féroce, déplace tout sur son passage, et contient en son centre de beaux moments de calme. Pris dans l'élan donné par ses brillants débuts, le guitariste et son groupe Double Trouble jouent avec un degré d'autorité, de confiance et d'assurance qui n'avait pas été observé dans le monde du blues depuis des décennies. Vous ne manquerez pas une note. La scène sonore est profonde et large, la microdynamique est excellente. Développé par NEOTECH et RTI, le MoFi SuperVinyl est le composé vinylique le plus précis jamais créé. Les amateurs d'analogique n'ont jamais rien vu (ou plutôt entendu) de tel. Coûteux et complexe à produire, le composé spécial breveté aborde deux domaines spécifiques d'amélioration : la réduction du bruit de fond et l'amélioration de la définition des sillons. La composition du vinyle comporte un nouveau colorant sans carbone et produit les surfaces les plus silencieuses du monde. Cette formule haute définition permet également de créer des sillons plus propres et indiscernables de la laque d'origine. Le MoFi SuperVinyl est l'approximation la plus proche de ce que les ingénieurs du label entendent dans le laboratoire de mastering. L'emballage somptueux et la superbe présentation de cette album «Couldn't Stand the Weather» conviennent également à son statut extrêmement sélect. Logée dans une boîte de luxe, la version UD1S de Mobile Fidelity est un bel objet destiné à être aussi préservé et admiré. Elle est destinée à des auditeurs avertis qui apprécient la qualité du son et la créativité, et qui souhaitent s'immerger pleinement dans l'art - et dans tout ce qui concerne l'album, des images aux textures. Lorsque Vaughan et Double Trouble sont entrés en studio en janvier 1984, la réputation du groupe en tant que groupe de blues-rock le plus en vue au monde était déjà bien établie. Vaughan a même décliné une offre de tournée avec le groupe de David Bowie afin de réaliser ses propres rêves. Et ce fier Texan ne plaisante pas. Sans se laisser abattre et en assumant son rôle d'ambassadeur moderne du blues, Vaughan a produit en 1984 un disque brûlant qui incarne ses styles et ses états d'âme caractéristiques : effronté, féroce, envoûtant, cathartique, provocateur et plein d'âme, tout à la fois. Ici, sous la forme d'une version éblouissante de «Voodoo Chile (Slight Return)», Vaughan reconnaît de façon touchante l'influence imminente de Jimi Hendrix. Et dans l'instrumental «Scuttle Buttin'», on retrouve un goût persistant de la personnalité enjouée et de l'habileté pyrotechnique du guitariste. «Cold Shot» saigne avec un mépris amoureux, mais comme un combattant déterminé, Vaughan se relève et se relève, prêt à faire un autre essai. Son frère Jimmie Vaughan l'assiste sur la piste du titre, qui rappelle les rythmes slinky du bluesman rural texan. Comme il l'a fait sur Texas Flood, Vaughan clôt le disque avec beaucoup de style, en faisant mijoter le mélange de blues fumant, de souffles sensuels et de boogies de juke-joints avec l'instrumental «Stang's Swang» - dédié au grand jazzman Grant Green et ponctué par les lignes enflammées du saxophone ténor de Stan Harrison. Le spectacle «Couldn't Stand the Weather», courageux, granuleux et sans cesse original, a permis de rappeler que Vaughan était là pour rester et qu'il exigeait d'être entendu. Les chiffres de vente de double platine et les nominations aux Grammy en sont une confirmation supplémentaire. Aujourd'hui, il est reconnu dans le monde entier comme un classique. Bienvenue au Texas, sauce Stevie Ray.

Label: Analogue Productions ‎- CVRJ 6110 SA, Verve Records ‎- MG VS-6110Série:Verve Reissues -Format:SACD, Hybrid, Stereo, Album, Reissue, Remastered TracklistMasquer Crédits 1 Maria 6:31 2 Sunday 5:20 3 Hanid 4:53 4 Honey Flower 8:42 5 Nabob 9:28 Skip Ad Crédits Bass - George Duvivier (tracks: 2-5), Ray Brown (tracks: 1) Drums - Alvin Stoller (tracks: 1), Mickey Sheen (tracks: 2-5) Guitar - Herb Ellis (tracks: 1) Piano - Hank Jones (tracks: 2-5), Oscar Peterson (tracks: 1) Producer - Norman Granz Remastered By - George Marino Tenor Saxophone - Ben Webster (tracks: 1), Coleman Hawkins Trumpet - Roy Eldridge (tracks: 2-5) Notes Stereo-only SACD. Album originally released in 1958.

Label:Analogue Productions ‎- CBNJ 84036 SA, Blue Note ‎- BLP 4036Série:The Blue Note Reissues -Format:SACD, Hybrid, Stereo, Album, Reissue, Remastered Tracklist 1 Blues For J.P. 2 The Man I Love 3 Politely 4 It's You Or No One 5 The Truth 6 Goose Grease 7 Softly As In A Morning Sunrise 8 Way Down Upon the Swanee River (Bonus Track) Crédits Alto Saxophone - Lou Donaldson Bass - Laymon Jackson, Sam Jones Drums - Al Harewood Piano - Horace Parlan Trumpet - Bill Hardman

Label:Pure Pleasure Records ‎- Tracklist A1 Strange Fruit 5:33  A2 Love Is Blindness 4:53  A3 Solomon Sang 5:56  B1 Death Letter 4:12  B2 Skylark 4:08  B3 Find Him 4:37  B4 I'm So Lonesome I Could Cry 4:50  C1 Last Train To Clarksville 5:15  C2 Until 6:29  C3 A Little Warm Death 5:43  D1 Memphis 5:04  D2 Harvest Moon 5:01  D3 32-20 Acoustic Guitar - Brandon RossBacking Vocals - The PeepersBass - Mark Anthony Peterson*Percussion - Cyro BaptistaResonator Guitar [Resophonic] - Kevin BreitVocals - Cassandra WilsonWhistling, Percussion [Lampshades] - Dougie BowneWritten-By - Neil Young Bass - Lonnie PlaxicoElectric Guitar [Lead] - Kevin BreitElectric Guitar [Rhythm] - Brandon RossOrgan [Hammond B-3] - Gary BreitPercussion - Cyro BaptistaVocals - Cassandra WilsonWritten-By - Cassandra Wilson Acoustic Guitar - Brandon RossPercussion - Cyro Baptista, Jeff HaynesViolin - Charlie Burnham*Vocals - Cassandra WilsonWritten-By - Cassandra Wilson Accordion - Tony CedrasAcoustic Guitar, Guitar [Octave] - Brandon RossBass - Lonnie PlaxicoBongos - Jeff HaynesShaker - Cyro BaptistaVocals - Cassandra WilsonWritten-By - Cassandra Wilson Acoustic Guitar - Brandon RossBass - Lonnie PlaxicoDrums - Dougie BowneElectric Guitar - Kevin BreitVocals - Cassandra WilsonWritten-By - Bobby Hart, Tommy Boyce Acoustic Guitar - Brandon RossBass - Lonnie PlaxicoBouzouki [Irish] - Kevin BreitDrums - Dougie BowneViolin - Charlie Burnham*Vocals - Cassandra WilsonWritten-By - Hank Williams Bass - Lonnie PlaxicoGuitar [Octave] - Brandon RossVocals, Acoustic Guitar - Cassandra WilsonWritten-By - Cassandra Wilson Bass - Lonnie PlaxicoDrums - Dougie BowneSteel Guitar [Pedal] - Gib WhartonVocals - Cassandra WilsonWritten-By - Hoagy Carmichael Acoustic Guitar - Brandon RossBanjo [Tenor], Electric Guitar - Kevin BreitBass - Mark Anthony Peterson*Drums, Percussion - Dougie BowneJew's Harp, Percussion - Cyro BaptistaVocals - Cassandra WilsonWritten-By - Son House Acoustic Guitar - Brandon RossAcoustic Guitar, Resonator Guitar [Resophonic] - Kevin BreitDrums - Dougie BownePercussion - Cyro BaptistaVocals - Cassandra WilsonWritten-By - Cassandra Wilson Acoustic Guitar, Guitar [Octave] - Brandon RossAcoustic Guitar, Resonator Guitar [Resophonic] - Kevin BreitBass - Lonnie PlaxicoCornet - Lawrence 'Butch' Morris*Tom Tom [Floor Tom] - Dougie BowneVocals - Cassandra WilsonWritten-By - U2 Bass - Lonnie PlaxicoCornet - Graham HaynesResonator Guitar [Resophonic] - Chris WhitleyVocals - Cassandra WilsonWritten-By - Lewis Allan

Label:Atlantic  Tracklist A1 Mary Don't You Weep 7:29 A2 Medley: Precious Lord, Take My Hand / You've Got A Friend 5:34 A3 Old Landmark 3:40 A4 Give Yourself To Jesus 5:16 B1 How I Got Over 4:22 B2 What A Friend We Have In Jesus 6:03 B3 Amazing Grace 10:45 C1 Precious Memories 7:20 C2 Climbing Higher Mountains 2:32 C3 Remarks By Reverend C.L. Franklin 1:56 C4 God Will Take Care Of You 8:48 D1 Wholy Holy 5:30 D2 You'll Never Walk Alone 6:31 D3 Never Grow Old 9:57  Voice [Spoken Word] - Reverend C.L. Franklin

Disque vinyle pressé par la société américaine MoFi (Mobile Fidelity), spécialiste de l'enregistrement haute-fidélité.  Edition limitée numérotée - 45RPM - 180 g. - 2 LP Le premier album éponyme de Dire Straits est arrivé au milieu du règne du punk, mais il n'aurait pas pu être plus éloigné du style "slash-and-burn" de l'époque. Enregistré dans l'ouest de Londres en février 1978, le disque, influencé par le jazz, comprend du folk, du blues et du pub rock tout en traçant une ligne directe vers le son orienté beat du rock n' roll des débuts. Les accents country et roots distinguent la musique dépouillée du quatuor britannique de ses pairs des années 1970, tout comme la production transparente, qui est restée vénérée par les audiophiles du monde entier - et qui n'a jamais été meilleure que sur ce pressage analogique minutieux. Maîtrisée à partir des bandes originales et pressée chez RTI, la version 2LP de Dire Straits de Mobile Fidelity en 180g 45RPM 2LP présente des tonalités naturelles, des équilibres superbes, vous êtes là - l'imagerie, des fonds noirs profonds et une netteté absolue. Même si vous avez déjà entendu cet album des centaines de fois, vous ne l'avez jamais vu avec des sonorités aussi vivantes et une richesse sonore aussi exceptionnelle. Ce set collector numéroté vous plonge dans l'ambiance fumée et décontractée de chaque chanson. C'est ainsi que tous les vinyles devraient sonner. Down to the Waterline Water of Love Setting Me Up Six Blade Knife Southbound Again Sultans of Swing In the Gallery Wild West End Lions

Disque vinyle pressé par la société américaine MoFi (Mobile Fidelity), spécialiste de l'enregistrement haute-fidélité. Egalement disponible sur commande dans le format SACD. Edition limitée numérotée - 45RPM - 180 g. - 2 LP Titres 1. Once Upon a Time in the West 2. News 3. Where Do You Think You're Going? 4. Communiqué 5. Lady Writer 6. Angel of Mercy 7. Portobello Belle 8. Single-Handed Sailor 9. Follow Me Home

SALVATORE ACCARDO - VIOLINO & LAURA MANZINI - PIANO SIDE A George Gershwin Summertime and A Woman is a Sometime Thing 4'16" It Ain't Necessarily So 2'40" Tempo di Blues 3'07" Bess, You Is My Woman Now 3'25" My Man's Gone Now 4'18" 3 Preludi: Allegro ben ritmato e deciso 1'33" 3 Preludi: Andante con moto e poco rubato 3'25" Total time 22'04" SIDE B George Gershwin 3 Preludi: Allegro ben ritmato e deciso 1'16" R.Russell Bennett Hexapoda: Gut - Bucket Gus 2'06" Hexapoda: Jane Shakes Her Hair 1'04" Hexapoda: Betty and Harold Close Their Eyes 1'54" Hexapoda: Jim Jives 0'59" Hexapoda: ... Till Down Sunday 1'52" Slow and Lonely 3'44" G.Rossini / M.Castelnuovo-Tedesco Figaro 5'32" A.K.Glazunov Méditation Op.32 3'15" S.S.Prokofiev March 1'33" Total time 21'15

Pure Analogue Recording, Pure Analogue Cutting, Machine Wired by Signoricci, One-Stage Pressing Process, 180gr. Virgin Vinyl Pressing, Heavy Quality Sleeves, 33rpm SIDE A EVERYTHING I LOVE * 7'18" Cole Porter da I COULD WRITE A BOOK SCOTT HAMILTON SAX ANDREA POZZA PIANO LIMEHOUSE BLUES * 5'41" Philip Braham da I COULD WRITE A BOOK SCOTT HAMILTON SAX ANDREA POZZA PIANO ALFRED KRAMER DRUMS AFTERNOON IN PARIS * 3rd october take 6'24 " John Lewis da I COULD WRITE A BOOK SCOTT HAMILTON SAX ANDREA POZZA PIANO Totale time 19'23" SIDE B ON A MISTY NIGHT * 7'33" Todd Dameron da WHO CARES? SCOTT HAMILTON SAX ANDREA POZZA PIANO SPORTSMAN'S HOP ** 4'32" Coleman Hawkins da BEAN AND THE BOYS SCOTT HAMILTON SAX PAOLO BIRRO PIANO ALFRED KRAMER DRUMS Total time 20'25"

WOLFGANG AMADEUS MOZART PIANO MUSIC Charles Rosen piano When we listen to this album we can live again the very particular acoustics of the Sala Musica "Caetani" located in the heart of the magical Giardini di Ninfa. In these tracks, Charles Rosen once again demonstrates the high level of interpretation and the great culture that has made him appreciated all over the world. Giulio Cesare Ricci in this recording wanted to make listeners appreciate the quality of the piano C. Bechstein, op.n.15664 Berlin 1884, the instrument that Franz Liszt used for his concerts in Italy. A real natural recording: the most attentive listener will be able to recognize the singing of the birds of the Giardino di Ninfa that reply to the Mozartian interpretation of the great Charles Rosen. The recording was made at the Sala Musica "Caetani", Villa di Ninfa - Giardini di Ninfa (Latina) Giulio Cesare Ricci used the legendary microphones Neumann U47, U48 The master for Vinyl was realized by transferring the original master recorded with Nagra 4s , 15ips, 1/4 inch to Ampex ATR 102 (Electronic Tube Ampex model 351-1965), 2 tracks, 1/2 inch, 30ips, modified by David Manley. The mastering has been realized by Giulio Cesare Ricci using the Signoricci system, entirely analog and tube. The sound is obviously with real timbre. natural sound recording HiFi Reference Tube Processed Analog Master Signoricci Vinyl Pure Analogue Recording Pure Analogue Cutting One-Stage Pressing Process Virgin Vinyl Pressing Heavy Quality Sleeves Limited Edition Club of the 496 The LP you have chosen has been produced in only 496 copies. This feature will make it even more unique and exclusive over the time Printed in Germany

Label:Blue Note Lab ‎- 778630 6Format:Vinyl, 10", 33 ⅓ RPM, EP, Limited Edition Tracklist A1 Locked And Loaded 7:46 A2 Altitudes 7:03 B1 On The Run 8:07 B2 The Seed 7:11 

Label: Pink Floyd Records  Format: Vinyl, LP, Album, Reissue, Remastered, 180g Tracklist Shine On You Crazy Diamond (1 - 5) A1.1 Part 1 Written-By - Gilmour*, Wright*, Waters* A1.2 Part 2 Written-By - Gilmour*, Wright*, Waters* A1.3 Part 3 Written-By - Gilmour*, Wright*, Waters* A1.4 Part 4 Written-By - Gilmour*, Wright*, Waters* A1.5 Part 5 Saxophone - Dick Parry Written-By - Gilmour*, Wright*, Waters* A2 Welcome To The Machine Written-By - Waters* B1 Have A Cigar Vocals - Roy Harper Written-By - Waters* B2 Wish You Were Here Written-By - Gilmour*, Waters* Shine On You Crazy Diamond (6 - 9) B3.1 Part 6 Written-By - Gilmour*, Wright*, Waters* B3.2 Part 7 Written-By - Gilmour*, Wright*, Waters* B3.3 Part 8 Written-By - Gilmour*, Wright*, Waters* B3.4 Part 9 Written-By - Wright* Crédits Backing Vocals - Carlena Williams, Venetta Fields Design - Howard Bartrop, Jeff Smith (17), Peter Christopherson, Richard Manning (3) Design, Sleeve, Photography By - Hipgnosis (2) Engineer - Brian Humphries Engineer [Assisted By] - Peter James Graphics - George Hardie Lacquer Cut By - BG* Lyrics By - Roger Waters Producer - Pink Floyd Remastered By - Bernie Grundman, James Guthrie, Joel Plante Notes The stereo remastered album on Heavyweight 180 Vinyl Remastered from the original analogue tapes by JAMES GUTHRIE, JOEL PLANTE and BERNIE GRUNDMAN Original UK release date: September 1975 Made in the E.U. www.pinkfloyd.com

SteepleChase ‎-  Année:1982 Tracklist Our Love Is Here To Stay 3:20 Georgia On My Mind 7:20 Gee Baby Ain't I Good To You 3:30 Lover Man 5:10 Violets For Your Furs 4:50 Baby Won't You Please Come Home 4:15 My Man 10:05 

Label: Craft Recordings ‎- Format:Vinyl, LP, Album, Reissue, 180 gram Tracklist A1 One Week Last Summer  4:58  A2 This Place 3:54  A3 If I Had A Heart 4:03  A4 Hana  3:42  A5 Bad Dreams  5:40  B1 Big Yellow Taxi (2007) 2:46  B2 Night Of The Iguana 4:36  B3 Strong And Wrong 4:02  B4 Shine 7:28 B5 If 5:32 Sociétés, etc. Phonographic Copyright (p) - Joni Mitchell Copyright (c) - Joni Mitchell Licensed To - Craft Recordings Record Company - Concord Music Group, Inc. Record Company - Universal International Music B.V. Copyright (c) - Crazy Crow Music Copyright (c) - Sony / ATV Music Publishing Recorded At - Castle Oaks Productions, Calabasas, CA Crédits Adapted By [Adapted From Rudyard Kipling's "If"] - Joni Mitchell (tracks: B5) Art Direction - Joni Mitchell, Robbie Cavolina Composed By, Arranged By, Producer [Produced By] - Joni Mitchell Design [Package Design] - Joni Mitchell Engineer [2nd Engineered By] - Chris Marshall, Josh Blanchard Lacquer Cut By - BG* Lyrics By - Joni Mitchell (tracks: A1 to B4), Rudyard Kipling (tracks: B5) Management - Macklam Feldman Management Mastered By - Bernie Grundman Other ["Stalker" Ballet Dancer] - Leigh Allardyce Photography By - Charles Hope (3) Photography By ["Stalker" Ballet Photograph] - Clay Stang Recorded By - Dan Marnien Notes Recorded at Castle Oaks Productions, Calabasas, California Alberta Ballet "The Fiddle and the Drum" © 2007 Crazy Crow Music (ASCAP), All rights administered by Sony/ATV Music Publishing. Lyrics for B5 adapted from Rudyard Kipling's "If" by permission from The Kipling Estate. ℗ 2019 & © 2007 Joni Mitchell. Under exclusive license to Craft Recordings, a division of Concord Music Group, Inc. Made in the EU. [...] Universal International Music B.V. Gerrit Van Der Veenlaan 4, 3743 Dn, Baarn, Netherlands

12'' Vinyl limited edition - 45RPM Classically trained under pianist Romano der Abrahamian and Aghdas Pourtorab, Paris based Iranian born musician, Arshid Azarine contributed to the rebirth of Persian Jazz at the end of the 1990s. In 2000 he creates a "multi kulti" jazz fusion sextet called Azarine 6, an experimental musical lab mixing modern jazz, world music, poetry & inviting unexpected guests for new performances...   A Side 1. Tcheltcheleh (Featuring Habib Meftahboushehri)  03:22 2. Baran  (Featuring Amir Rafaati)      05:31 3. Tchisti (Featuring Makan Ashgvari)   04:19 4. The Valley of Love (Featuring Niaz Nawab)  03:18  B Side     5. Hidden Hell (Featuring Roya Arab)   03:50 6. Talab re-edited (Featuring Arshid Azarine Trio) 05:20 7. La liberté de Vashti et le mariage d'Esther (Featuring Azarine 6) 02:46 8. Marabeboos Tango re-edited (Featuring Sussan Deyhim)  05:04  Intergenerational, intercultural, a truly musical fusion led by Iranian tradition, "Sing Me a Song" is the peak of maturity for diasporic musicians. Those who managed to absorb a new culture while keeping the one of their origins. Compositions written by : Arshid Azarine & Friends - Published by Melmax Music

Label: Blue Note Tracklist A1 Devil May Care Drums - Clarence PennFeaturing, Bass - Christian McBrideGuitar - Steve CardenasVocals, Piano - Kandace SpringsWritten-By - Robert Dorough*, Terrell Kirk* A2 Angel Eyes Bass - Scott CooleyDrums - Clarence PennFeaturing, Vocals, Piano - Norah JonesGuitar - Steve CardenasVocals, Electric Piano [Wurlitzer] - Kandace SpringsWritten-By - Earl K. Brent, Matt Dennis A3 I Put A Spell On You Bass - Scott CooleyDrums - Clarence PennFeaturing, Alto Saxophone - David SanbornGuitar - Steve CardenasVocals, Piano - Kandace SpringsWritten-By - Jay Hawkins* B1 Pearls Bass - Scott CooleyDrums - Clarence PennFeaturing, Trumpet - Avishai Cohen*Guitar - Steve CardenasVocals, Piano - Kandace SpringsWritten-By - Andrew Hale, Sade Adu B2 Ex-Factor Bass - Scott CooleyDrums - Clarence PennFeaturing, Flute - Elena PinderhughesGuitar - Steve CardenasVocals, Piano - Kandace SpringsWritten-By - Alan Bergman, Clifford Smith (2), Corey Woods, Dennis Coles, Gary Grice, Jason Richard Hunter, Lamont Hawkins, Ms. Lauryn Hill*, Marilyn Bergman, Marvin Hamlisch, Robert Fitzgerald Diggs*, Russell Tyrone Jones* B3 I Can't Make You Love Me Bass - Scott CooleyDrums - Clarence PennFeaturing, Trumpet - Avishai Cohen*Guitar - Steve CardenasVocals, Piano - Kandace SpringsWritten-By - Allen Shamblin, Mike Reid C1 Gentle Rain Bass - Scott CooleyDrums - Clarence PennFeaturing, Tenor Saxophone - Chris Potter (2)Guitar - Steve CardenasVocals, Piano - Kandace SpringsWritten-By - Luiz Bonfá, Matt Dubey C2 Solitude Bass - Scott CooleyDrums - Clarence PennFeaturing, Tenor Saxophone - Chris Potter (2)Guitar - Steve CardenasVocals, Piano - Kandace SpringsWritten-By - Edward Kennedy Ellington*, Edgar De Lange*, Irving Mills C3 The Nearness Of You Bass - Scott CooleyDrums - Clarence PennGuitar - Steve CardenasVocals, Piano - Kandace SpringsWritten-By - Hoagy Carmichael, Ned Washington D1 What Are You Doing The Rest Of Your Life Bass - Scott CooleyDrums - Clarence PennGuitar - Steve CardenasVocals, Piano - Kandace SpringsWritten-By - Alan Bergman, Marilyn Bergman, Michel Legrand D2 Killing Me Softly With His Song Arranged By [Keyboard Arrangement] - Latavius MulzacBass - Scott CooleyDrums - Clarence PennFeaturing, Flute - Elena PinderhughesGuitar - Steve CardenasVocals, Electric Piano [Rhodes] - Kandace SpringsWritten-By - Charles Fox, Norman Gimbel D3 Strange Fruit Vocals, Electric Piano [Rhodes] - Kandace SpringsWritten-By - Lewis Allan

Label: Blue Note (Tone Poet) Side One: 1. Beatrice 2. Friday the Thirteenth 3. Happy Reunion Side Two: 1. Loose Change 2. Ask Me Now 3. Isotope  180-gram LP Mastered by Kevin Gray at Cohearent Audio from the original master tape Plated and pressed at RTI The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet," on board to curate and supervise a series of reissues from the Blue Note family of labels. Joe Henderson (tenor sax), Ron Carter (bass) and Al Foster (drums) captured live during their 1985 peak at NYC's historic Village Vanguard. Blue Notes Records founder Alfred Lion said upon hearing the sessions: "...truly a classic album. What Joe plays is unbelievable. This is one of the most important albums that I've ever heard. It is one of the best made on Blue Note." The Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.

Format:Vinyl, LP, Album, Reissue, Remastered, 180 Gram Tracklist A1 One Of These Days Written-By - Gilmour*, Mason*, Wright*, Waters* A2 A Pillow Of Winds Written-By - Gilmour*, Waters* A3 Fearless Written-By - Gilmour*, Waters*Written-By [Interpolation Of 'You'll Never Walk Alone'] - Rogers & Hammerstein II* A4 San Tropez Written-By - Waters* A5 Seamus Written-By - Gilmour*, Mason*, Wright*, Waters* B Echoes Written-By - Gilmour*, Mason*, Wright*, Waters*

Concord Records Tracklist Barley 5:07 Seems I'm Never Tired Lovin' You 4:43 Singing In My Soul 3:46 Southern Nights 4:14 What Would I Do Without You 3:17 Grace 4:55 Stars Fell On Alabama 3:52 Every Grain Of Sand 5:29 Wash Me Clean 4:34 All The Way Here 3:47

Label:Concord Lizz Wright Concord debut on vinyl Lizz Wright makes her Concord debut with Freedom & Surrender . Renowned for her earthy voice & emotive straight-forward vocals, she teams with four-time Grammy-winning bassist and producer Larry Klein, who's best known for his work with Joni Mitchell, Tracy Chapman, Herbie Hancock, Shawn Colvin, & Melody Gardot. Side 1 Freedom The Game The New Game Lean In Side 2 Right Where You Are River Man Somewhere Down The Mystic Real Life Painting Side 2 To Love Somebody Here And Now You Side 4 Blessed The Brave Surrender 

Label: PURE PLEASURE Tracklist  1. Straight Ahead 2. When Malinda Sings 3. In the Red 4. Blue Monk 5. Left Alone 6. African Lady 7. Retribution  This is one of Abbey Lincoln's greatest recordings. It is a testament to the credibility of her very honest music (and her talents) that Lincoln's sidemen on this date include the immortal tenor saxophonist Coleman Hawkins, who takes a memorable solo on "Blue Monk", Eric Dolphy on flute and alto, trumpeter Booker Little (whose melancholy tone is very important in the ensembles), pianist Mal Waldron and drummer Max Roach (her husband from 1962 to 1970). This is another in Pure Pleasure's Candid Series, featuring reissues from an incredible label that met its demise some 40 years ago. The American Candid label has achieved a near legendary status among the critics and the International jazz and blues public. The series was born in 1960 when Archie Bleyer, owner of the Cadence label decided to indulge his love of jazz and blues and create his own line - called Candid. Archie approached Nat Hentoff - a likeable and knowledgeable critic, author and journalist active in New York at the time. Hentoff accepted the challenge of producing the albums and history was made. However, the label went out of business in 1961 and remained that way for a quarter of a century. Then Alan Bates acquired the masters and renamed his Black Lion Productions company Candid. Bates made the Candid titles available again on CD. These Candid titles were very well recorded and the performances generally are stunning. Great sound and music. "If you drew a line with Ella, Dianne Reeves et al on one side and Nina Simone, Billie Holiday and the like on the other, Lincoln firmly sides with the latter: jazz singing with negligible pop or crossover content. This 1961 session with geniuses like Eric Dolphy, Coleman Hawkins and Booker Little is a stunner. Its subtlety begs for vinyl playback." - Hi Fi News

 Le quartet classique de Coltrane avec Elvin Jones, McCoy Tyner et  Jimmy Garrison!! Label: IMPULSE Tracklist 1. Part I - Acknowledgement 2. Part II - Resolution 3. Part III - Pursuance / Part IV - Psalm  Acoustic Sounds Series reissues from Verve/Universal Music Enterprises! Monthly releases highlighting the world's most historic and best jazz records! Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes 180-gram LPs pressed at Quality Record Pressings! Stoughton Printing gatefold old-style tip-on jackets Series supervised by Chad Kassem CEO of Acoustic Sounds Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' new audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings. John Coltrane's immortal Impulse! records, A Love Supreme (1964) and Ballads (1963) both have drawn rave reviews since their original release. In fact, jazz critics have lauded A Love Supreme as Coltrane's most important recording. The rave reviews which appeared in the magazines Downbeat , Jazz Hot , Jazz Podium and Swingjournal reflected this: critics all over the world, in America, Europe and Japan recognized that Coltrane's deep religious belief had influenced both his approach to life and his music-making. A Love Supreme was his pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two and a half years (sadly, those would be his last). Recorded at the end of 1964, Trane's classic quartet of Elvin Jones, McCoy Tyner, and Jimmy Garrison stepped in and created one of the most thought-provoking albums of their relationship. The album not only enabled Coltrane to express himself with great intensity but also lent him the necessary inner peace to conceive a work of almost 40 minutes in length and to lead his quartet along the same path as himself.