Platines vinyle

Label:Concord Lizz Wright Concord debut on vinyl Lizz Wright makes her Concord debut with Freedom & Surrender . Renowned for her earthy voice & emotive straight-forward vocals, she teams with four-time Grammy-winning bassist and producer Larry Klein, who's best known for his work with Joni Mitchell, Tracy Chapman, Herbie Hancock, Shawn Colvin, & Melody Gardot. Side 1 Freedom The Game The New Game Lean In Side 2 Right Where You Are River Man Somewhere Down The Mystic Real Life Painting Side 2 To Love Somebody Here And Now You Side 4 Blessed The Brave Surrender 

MONTGOMERY, WES  In Paris The Definitive Ortf Recording 2-CD Holland Jazz EN PARTENARIAT AVEC L'INSTITUT NATIONAL DE L'AUDIOVISUEL In Paris : The Definitive ORTF Recording immortalise Wes Montgomery lors de son unique tournée européenne, à l'occasion d'une prestation exceptionnelle le soir du 27 mars 1965 au Théâtre des Champs-Elysées à Paris . La première sortie officielle de ce concert légendaire organisé par le fondateur de Black Lion Records, Alan Bates , est considéré comme une des plus grandes performances live de Wes Montgomery . Elle est présentée en partenariat avec l' Institut National de l'Audiovisuel (INA) avec un son haute définition transféré directement des bandes analogiques originales. Lors de cette performance, Wes Montgomery est accompagné d'un véritable « All Star Band » composé du pianiste Harold Mabern , du bassiste Arthur Harper , du batteur Jimmy Lovelace ainsi que du saxophoniste ténor Johnny Griffin en invité spécial sur certains titres. In Paris est présenté en un format double CD deluxe exceptionnel, accompagné d'un livret de 32 pages incluant des photos de Jean Pierre Leloir ainsi que des essais et interviews de prestige. Egalement disponible en édition limitée double vinyle 180 gr numérotée à la main à l'occasion du Black Friday. Masterisé par l'iconique Bernie Grundman (Thriller, Purple Rain, Steely Dan, Herb Alpert, Fleetwood Mac, Quincy Jones, ...) dans son studio mythique d'Hollywood. Label: Resonance Records ‎- HCD-2032 Format: 2 × CD, Album Sortie: 26 Jan 2018 Tracklist 1-1 Four On Six Written-By - W. Montgomery* 6:24 1-2 Impressions Written-By - J. Coltrane* 9:59 1-3 The Girl Next Door Written-By - H. Martin*, R. Blane* 6:36 1-4 Here's That Rainy Day Written-By - J. Van Heusen*, J. Burke* 8:23 1-5 Jingles Written-By - W. Montgomery* 12:26 2-1 To Wane Written-By - H. Mabern* 10:57 2-2 Full House Written-By - W. Montgomery* 10:35 2-3 'Round Midnight Written-By - B. Hanighen*, C. Williams*, T. Monk* 9:15 2-4 Blue 'N Boogie / West Coast Blues Written-By [Blue 'N Boogie] - F. Paparelli*, J. Gillespie* Written-By [West Coast Blues] - W. Montgomery* 13:14 2-5 Twisted Blues Written-By - W. Montgomery* 13:36 Sociétés, etc. Phonographic Copyright (p) - INA Copyright (c) - Rising Jazz Stars, Inc. Licensed To - Resonance Records Recorded At - Théâtre des Champs-Élysées Recorded By - Office de Radiodiffusion-Télévision Française (ORTF) Crédits Bass - Arthur Harper Drums - Jimmy Lovelace Guitar - Wes Montgomery Piano - Harold Mabern Tenor Saxophone, Guest [Special] - Johnny Griffin (tracks: 2-2 to 2-4) Notes First official release of Wes Montgomery's one and only concert in Paris, France on March 27, 1965 at the Théâtre des Champs-Elysées. Second Resonance release in partnership with France's National Audio-visual Institute (INA) with remastered high-resolution audio transferred directly from the original tapes. Six-panel Digipak packaging. 32-page booklet includes liner notes, credits and photographs.

Chet Baker, Philip Catherine, Jean-Louis Rassinfosse ‎- Crystal Bells Label: Igloo ‎- IGL034LP Format: Vinyl, LP, Album, Limited Edition, Stereo Country: Belgium Sortie: Dec 2018 Tracklist A1 Crystal Bells 6:14 A2 Strollin 7:20 A3 Lament 7:27 B1 Leaving 9:36 B2 Cherokee 6:46 B3 Estate 5:30 Sociétés, etc. Phonographic Copyright (p) - Igloo Copyright (c) - Igloo Crédits Bass - Jean-Louis Rassinfosse Guitar - Philip Catherine Trumpet - Chet Baker Notes IGLOO's 40th anniversary edition Limited edition of 500 prints

MICHELANGELI, ARTURO BENEDETTI  Debussy: Preludes 1 180gr. 1-LP Holland High Quality Deutsche Grammophon Label: Deutsche Grammophon ‎- 483 7863 Format: Vinyl, LP, 180g Country: Germany Sortie: 13 Dec 2019 Tracklist Préludes, 1er Livre A1 I. Danseuses De Delphes - Lent Et Grave 3:08 A2 II. Voiles - Modéré 4:24 A3 III. Le Vent Dans La Plaine - Animé 2:10 A4 IV. Les Sons Et Les Parfums Tournent Dans L'Air Du Soir - Modéré 3:34 A5 V. Les Collines D'Anacapri - Très Modéré 3:15 A6 VI. Des Pas Sur La Neige - Triste Et Lent 4:50 A7 VII. Ce Qu'a Vu Vent D'Ouest - Animé Et Tumultueux 3:37 B1 VIII. La Fille Aux Cheveux De Lin - Très Calme Et Doucement Expressif 2:42 B2 IX. La Sérénade Interrompue - Modérément Animé 2:37 B3 X. La Cathédrale Engloutie - Profondément Calme 6:50 B4 XI. La Danse De Puck - Capricieux Et Léger 3:06 B5 XII. Minstrels - Modéré 2:25 Sociétés, etc. Phonographic Copyright (p) - Polydor International GmbH Copyright (c) - Knut Franke Published By - Durand-Schoenewerk & Cie Crédits Composed By - Claude Debussy Piano - Arturo Benedetti Michelangeli

Label: Pure Pleasure Records (Columbia) This 1949 session from one of the all-time jazz greats (female or otherwise) features fellow heavyweights Miles Davis, Freddie Green and Budd Johnson among others. Vaughan recorded for Columbia between 1949 and 1952, yet only two LPs were ever released from the many tracks she produced during that period: the strings-only Afterhours and the present Sarah Vaughan In Hi-Fi , which is a more jazz-oriented collection. These are, without question, some of Vaughan's finest recordings. Hear her in her prime. East Of The Sun (And West Of The Moon) Nice Work If You Can Get It Pinky The Nearness Of You Come Rain Or Come Shine Mean To Me It Might As Well Be Spring Can't Get Out Of this Mood Spring Will Be A Little Late This Year Ooh, What 'Cha Doin' To Me Goodnight My Love Ain't Misbehavin' It's All In The Mind The Nearness Of You (alternate take) Ain't Misbehavin' (alternate take) Goodnight My Love (alternate take) Can't Get Out Of this Mood (alternate take) It Might As Well Be Spring (alternate take) Mean To Me (alternate take) Come Rain Or Come Shine (alternate take) East Of The Sun (And West Of The Moon) (alternate take) 

Jimmy Witherspoon - Evenin' Blues (Stereo) Label: Analogue Productions (Prestige) Mastered from the original analog tape by Ryan K. Smith at Sterling Sound Plated and pressed at Quality Record Pressings! Praise for our 45 RPM version "...The Analogue Productions sound is visceral and crisp in the best sense, and the quiet pressings ensure that no musical detail is even mildly obscured...with these 45 RPM LPs, if your system is up to the task, you'll hear boundless high-frequency reach and lavish dynamic nuance and harmonic delicacy." - Marc Mickelson, The Audio Beat , December 2010 "...the most detailed, dynamic, and transparent version of this music that I have ever heard. All of the emotion of Davis' horn comes through in ballads, such as the title cut, and details such as the squeak of a chair or the spit on the sax's reed are revealed with an increased clarity." - My Vinyl Review , July 26, 2010 A beautiful addition to the Davis canon. Recorded over the course of three days in April 1961, Someday My Prince Will Come showcases Miles' second great rhythm section, here at the absolute peak of their telepathic interplay. Wynton Kelly, Paul Chambers and Jimmy Cobb were as tight a unit as any ever formed, grooving so successfully that they went on to leave Miles and form the Wynton Kelly trio. Someday My Prince Will Come also includes some positively blistering solos from guest John Coltrane in his final recording with Miles. And Hank Mobley offers up some beautiful bluesy solos. This is a beautifully redone album, originally released in 1961. Mastered by Ryan K. Smith at Sterling Sound, the pressing is on 200-gram vinyl by Quality Record Pressings, comes in a heavyweight tip-on jacket from Stoughton Printing. Excellent! Miles Davis, trumpet Paul Chambers, bass Jimmy Cobb, drums John Coltrane, saxophone (tenor) Philly Joe Jones, drums Wynton Kelly, piano Hank Mobley, saxophone (tenor)

Label: SteepleChase ‎- SCS 1207 Format:Vinyl, LP, Album Country: Denmark Sortie: 1985  Tracklist A1 If I Should Lose You Written-By - Robin*, Rainger* 7:16 A2 You Go To My Head Written-By - Gillespie*, Coots* 7:03 A3 How Deep Is The Ocean Written-By - Berlin* 5:17 A4 Pent-Up House Written-By - Sonny Rollins 3:55 B1 Everytime We Say Goodbye Written-By - Porter* 7:52 B2 Diane Written-By - Rapee* 5:31 B3 Skidadidlin' Written-By - Chet Baker 4:16 B4 Little Girl Blue Written-By - Rodgers* 5:27 Entreprises, etc. Copyright (c) - SteepleChase Productions ApS Phonographic Copyright (p) - SteepleChase Productions ApS Recorded At - Sound Track Studio Mastered At - Studio-Nord-Bremen Crédits Design [Cover] - Per Grunnet Engineer [Recording] - Ole Hansen (2) Liner Notes - Jørgen Frigård Piano - Paul Bley Producer, Photography By - Nils Winther Trumpet - Chet Baker Vocals - Chet Baker (tracks: 2) Notes Recorded at Sound Track Studios, Copenhagen February 27, 1985. Digital recording.

Label: Pure Pleasure Records (Roulette) 180 Gram Vinyl Record Arguably the most adventurous female jazz singer of all time, Betty Carter was an idiosyncratic stylist and a restless improviser who pushed the limits of melody and harmony as much as any bebop horn player. The husky-voiced Carter was capable of radical, off-the-cuff re-workings of whatever she sang, abruptly changing tempos and dynamics, or rearranging the lyrics into distinctive, off-the-beat rhythmic patterns. Music Maestro, Please / Swing Brother Swing I Was Telling Him About You Wagon Wheels New Blues (You Purr) Most Gentlemen Don't Like Love Making Dreams Come True Open the Door Just Friends / Star Eyes No More Words 

Label: Analogue Productions (Verve) Mastered by George Marino at Sterling Sound "I just picked up your new AP pressing of Ben Webster Meets Oscar Peterson and it sounds amazing. QRP is doing it right!" - Matthew Block, Acoustic Sounds customer "...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen!" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online , November/December 2011 "...this LP is from the stereo tapes. While I've always preferred the original in its mono version, that preference no longer stands. The stereo image is stunning, with good center fill, decent depth and no sense that instruments are stuck in the speaker locations - in other words all of the attributes of the best mono recordings with the advantages of stereo spread. You'll use this record to show your doubting friends just how much better (vinyl) can sound than any digital format." Recording = 10/10; Music = 10/10 - Dennis D. Davis, Hi-Fi + , Issue 87 Ben Webster Meets Oscar Peterson brings together two of the greatest stylists American music has produced. Here, in a program of timeless songs, pianist Oscar Peterson is the perfect foil - his effortless swing an excellent set-up for the unhurried scoops, slurs, and bent notes of tenor saxophone balladeer Ben Webster - just the way he liked it. Originally released in 1959. Ben Webster, tenor saxophone Oscar Peterson, piano Ray Brown, bass Ed Thigpen, drums play 1. Touch of Your Pips play 2. When Your Lover has Gone play 3. Bye Bye Blackbird play 4. How Deep Is The Ocean (How High is The Sky) play 5. In The Wee Small Hours Of The Morning play 6. Sunday play 7. This Can't Be Love 

Label: Analogue Productions Now at 33 1/3 RPM! Mastered by Bernie Grundman from the original 1964 Chess analog masters 200-gram vinyl pressed at Quality Record Pressings Gatefold jacket with extra photos! Follow along as writer/professor Wayne Goins explores the creation of Folk Singer , and leads a visual tour of the former Chess Records studios, here. There are a handful of landmark albums in any genre. In the blues, one of them is Muddy Waters' Folk Singer. It's been an audiophile staple for years. Originally released in 1964, Folk Singer was the only acoustic album Waters ever recorded, thus becoming the first and perhaps best blues concept album ever. Muddy of course started out playing acoustic blues in the Delta, and he's clearly very comfortable in this return to his roots, which was designed to appeal to the mid-1960s surge of interest in folk music. Muddy's supporting cast includes a very young Buddy Guy on guitar, Willie Dixon at the upright bass and Clifton James on drums. This recording has enormous presence with ample room for Muddy's booming voice to resonate. Praise for our 45 RPM edition of Folk Singer : "The Quality Record Pressing is drop-dead quiet-as silent as the best Japanese pressings from the late 1970s-and the amount of inner detail released is simply astonishing...the sound is sweet, liquid and free of harshness and edge. The dynamics are mind-boggling. When Muddy takes it up ten notches to emphasize a point it's positively explosive in a way the 33 1/3 version only suggests." Music = 9/10, Sound = 10/10! - Michael Fremer, musicangle.com. "How about a 45 RPM set from Analogue Productions' recently launched Quality Record Pressings Facility, mastered by Bernie Grundman, in a beautiful gatefold jacket with extra sessions shots? It's been ages since I've heard LP surfaces this quiet - as in dead quiet. The expense and effort that Chad Kassem and company put into this venture are immediately obvious. ... Making music together bring this recording to life as never before. It's by far the best sounding and most engaging version yet... analog lovers will be in hog heaven." - Wayne Garcia, The Absolute Sound , May/June, Issue 223 Side 1 1. My Home Is In The Delta 2. Long Distance 3. My Captain 4. Good Morning School Girl 5. You Gonna Need My Help Side 2 6. Cold Weather Blues 7. Big Leg Woman 8. Country Boy 9. Feel Like Going Home

Label: Classic Records (Everest Product No.: AEVC 3052-45 UPC: 753088305214 45 RPM Vinyl Record No. of Discs: 2   Note: 200 Gram   The exceptional sound of Everest 35mm Magnetic Film Recordings returns! Ten Everest titles, each a 2LP 45 RPM release! 45 RPM versions have never been issued! Mastered directly from the original 35mm magnetic film using an "all tube" cutting system! Pressed on Classic's 200-gram Super Vinyl Flat Profile at Quality Record Pressings Sets come with Stoughton Printing tip-on old style original jacket artwork and Everest Records-branded jacket Two LPs are packaged in a protective clear sleeve Among Classic Records' highlight accomplishments - before the label sold in 2010 to Acoustic Sounds - was unlocking the audio majesty of the Everest 35mm magnetic film recordings on a groundbreaking reissue series. Now, return with us, as Classic Records by Analogue Productions returns this vintage audiophile collection to its rightful glory. Everest LPs through the early 1960s were recorded on 3-channel 35mm magnetic film recording equipment. 35mm magnetic film yielded greater fidelity and less noise than standard 1/4" recording tape. The Westrex Corporation built special equipment to Everest's specifications to accomplish these advantages. Fast forward to today: Classic Records by Analogue Productions is resurrecting this collection through an initial 10-title reissue series. Bernie Grundman cut the Classic Records reissues at both 33 and 45 RPM - the 45 RPM versions have never been reissued! • Quality Record Pressings 200-gram flat profile LPs - These records are pressed with a flat-edge, no groove-guard flat profile, like the originals. The flat edge refers to the absence of a raised, beaded lip on the outer edge of the record, providing a flat playing surface - and no incline - on your turntable. Quality Record Pressings' quality is legendary and these flat profile 200-gram platters will look and sound exceptional! Each 2LP set comes with a Stoughton Printing tip-on original jacket and an Everest Records branded jacket showing photos of each reissue title. The two LPs are packaged in a protective clear sleeve. Khatchaturian: Gayne (Ballet Suite) by London Symphony Orchestra, Anatole Fistoulari conductor. Anatole Fistoulari learned most of his technique and repertory from his father, Gregor Fistoulari, a student of Nikolay Rimsky-Korsakov and Anton Rubinstein. Anatole Fistoulari built a substantial recorded discography. As with his Decca recordings of Ballet Music, Fistoulari again delivers a lively reading of Khachaturian's famous ballet piece. Is this performance the equal of the HP acclaimed Mercury - no, ITS BETTER! Add to that earth shattering bass power and spacious detail - especially in ambient high frequency range and you have a winner that is both delightful and revealing to listen to over and over again. Bert Whyte is again at the controls for another outstanding Everest 35 mm recording at London's famed Walthamstow Assembly Hall - the same hall used extensively by the Decca and Kenneth Wilkinson. 1. Sabre Dance 2. Lyrical Duet 3. Dance of the Rose Maidens 4. Hopak 5. Lullaby (Danced for Gayne for Her Child) 6. Lezghinka 7. Russian Dance 8. Gayne's Adagio 9. Dance of the Young Kurds 10. Dance of the Old Man 11. Fire 

Label: Analogue Productions (Verve) Mastered by George Marino at Sterling Sound "I almost didn't review this review - after all, it was released by Analogue Productions on the same day as Ben Webster's Soulville .. . But if Soulville was everything I hoped for, Epitaph is the over-achiever. Ella recorded a series of her 'greatest hits' for the soundtrack of this entirely forgettable movie, a few of which were used. Ella played a singing piano player, so she recorded the songs with only piano backing by Paul Smith. ... Recorded in 1960 at the United Western Recorders in Hollywood, which produced great sounding hits for everyone from Nat King Cole to the Beach Boys, this has always been recognized as one of Ella's best sounding records, and was released long ago by Classic Records. This new mastering by the late George Marino at Sterling Sound easily bests that earlier effort. Great music recorded during the golden age of recording at one of the great studios, mastered to perfection." - Recording = 10/10; Music = 10/10 - Dennis D. Davis, Hi-Fi+ , Issue 104 "...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen!" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online , November/December 2011 Considered one of Ella's greatest recordings, she's backed on this 1960 release by pianist Paul Smith. Let No Man Write My Epitaph was a 1960 Hollywood movie featuring Fitzgerald. The album hits at a depth of emotional understanding that critics often complained was missing in Ella's reading of jazz lyrics, and once again establishes her as one of the supreme interpreters of the Great American Songbook. 1. Black Coffee 2. Angel Eyes 3. I Cried for You 4. I Can't Give You Anything But Love 5. Then You've Never Been Blue 6. I Hadn't Anyone Till You 7. My Melancholy Baby 8. Misty 9. September Song 10. One for my Baby (And One More for the Road) 11. Who's Sorry Now 12. I'm Getting Sentimental Over You 13. Reach for Tomorrow 

Label: Real World Productions Music from the film "Birdy" 180-gram double LP 45 RPM Half-speed remastering Numbered, limited edition includes hi-res album download Peter Gabriel's first foray into soundtracks was for Alan Parker's contemplative film Birdy and is a successful companion piece, providing a backdrop that is moody and evocative. Nearly half of the album's dozen tracks incorporate threads from material found on Gabriel's 1982 Security set, including "Close Up," which makes use of keyboard passages from "Family Snapshot", and "The Heat," which is a reworking of "The Rhythm of the Heat" and builds to a frenzied percussive crescendo. Peter Gabriel  1. At Night 2. Floating Dogs 3. Quiet and Alone 4. Close up 5. Slow Water 6. Dressing the Wound 7. Birdy's Flight 8. Slow Marimbas 9. The Heat 10. Sketchpad With Trumpet and Voice 11. Under Lock and Key 12. Powerhouse at the Foot of the Mountain 

(Numbered Limited Edition + Download Code) Label: Real World Productions Genre: Pop/Rock Product No.: ARWL 800320 UPC: 884108003206 Availability: In Stock Category: 45 RPM Vinyl Record No. of Discs: 2 Note: 180 Gram   180-gram gatefold double LP Half-speed remastered and cut to lacquers at 45 RPM Limited to 10,000 copies worldwide Peter Gabriel presents remastered limited edition viny versions of his first four solo records. This marks their return to the format for the first time since 2002. It's the first in a series that will see all of his records available in vinyl. The eponymous albums in this first batch - referred to as 1 to 4 or Car , Scratch , Melt and Security , based on their cover art - followed his departure from Genesis in 1975, and established Gabriel as a solo artist. Each 180-gram double album is presented in a gatefold jacket, in an individually-numbered run of 10,000 copies worldwide. Long out-of-print German vocal versions of Gabriel's third and fourth albums will be limited to 3,000 copies each. Albums come with downloads in a choice of resolutions: hi-res 24-bit/96k or 16-bit/44.1k. Having left Genesis in the summer of 1976, Gabriel's first solo album arrived in February 1977. He was 26. With legendary producer Bob Ezrin taking charge, the intention was to make a more direct and tougher record: something different from what had gone before. The record also provided one of Peter's most recognisable songs in the shape of Solsbury Hill. Half-Speed Remastered and cut to lacquers at 45RPM, across two heavyweight LPs to deliver maximum dynamic sound range. Vinyl cut by Matt Colton at Alchemy Mastering, mastered by Tony Cousins at Metropolis and overseen by Peter's main sound engineer Richard Chappell. These albums really have never sounded so good! They also look amazing with the gatefold sleeves utilizing imagery from the initial release, sourced and re-scanned from original artwork. Albums include download cards with a choice of digital download (Hi-Res 24/96k or 16/44.1k). Each are numbered limited editions - only 10,000 copies worldwide. Side 1 1. Moribund The Burgermeister 2. Solsbury Hill Side 2 3. Modern Love 4. Excuse Me 5. Humdrum Side 3 6. Slowburn 7. Waiting For The Big One Side 4 8. Down The Dolce Vita 9. Here Comes The Flood 

Label:Naïve ‎- NJ 625911 Country:FranceSortie:2016 Tracklist 1 Radio One 5:51 2 All I Want 5:46 3 The Painter And The Boxer 4:58 4 La Galactée 6:50 5 Around The World 7:37 6 Candy Parties 3:22 7 No Time To Think 5:26 8 People's Thoughts 5:33 9 Titi 7:26 Entreprises, etc. Recorded At - Studios La Buissonne Mixed At - Studios La Buissonne Mastered At - Studio Lakanal Crédits Artwork - Pierrick Guidou Drums - Fabrice Moreau Mastered By - Pierre Vandewaeter Photography By - Lucille Reyboz Photography By [Cover] - Hugues Lawson-Body* Piano, Electric Piano [Fender Rhodes], Synthesizer [Bass Synth] - Benjamin Moussay Producer - La Girafe Recorded By [Assistant], Mixed By [Assistant] - Nicolas Baillard Recorded By, Mixed By - Gérard De Haro Technician [Piano Tuning] - Alain Massonneau Trumpet, Composed By, Lyrics By - Airelle Besson Voice - Isabel Sörling Notes Recorded & mixed 2015 at La Buissonne Mastered at Studio Lakanal ℗ La Girafe 2016 & © Naïve 2016

SHEPP, ARCHIE/H.PARLAN  Goin'home -180gr- Label:SteepleChase ‎- SCS-1079Format:Vinyl, LP, Album, Reissue, Stereo, 180 Gram, Audiophile Edition Country:GermanySortie:2005Genre:JazzStyle: Tracklist A1 Deep River 4:49 A2 My Lord What A Morning 4:38 A3 Amazing Grace 4:20 A4 Sometimes I Feel Like A Motherless Child 5:19 A5 Swing Low, Sweet Chariot 2:42 B1 Goin' Home 6:08 B2 Nobody Knows The Troubles I've Seen 4:40 B3 Go Down Moses 4:18 B4 Steal Away To Jesus 6:14 Entreprises, etc. Recorded At - Sweet Silence Studios Copyright (c) - SteepleChase Productions ApS Phonographic Copyright (p) - SteepleChase Productions ApS Crédits Cover [Cover Design] - Per Grunnet Engineer - Freddy Hansson Engineer [Assistant] - Flemming Rasmussen Photography By [Back Cover], Producer - Nils Winther Photography By [Front Cover] - Gorm Valentin Piano - Horace Parlan Tenor Saxophone, Soprano Saxophone - Archie Shepp Notes Recorded April 25, 1977 at Sweet Silence Studios, Copenhagen. Red labels with German and English rim text and "Audiophile Edition" in the upper part. Comes in an outer polyethylene sleeve having a label stuck with the barcode printed on it. Paper and poly inner sleeve.

Label: Analogue Productions Elvis Presley Elvis Is Back! 200-gram 45 RPM double LP set Mastered from the original analog tapes by George Marino at Sterling Sound 1960 studio album is Presley's best full-length effort "...His voice was in superb form, he was backed by the most sympathetic line-up in his career - including Scotty Moore, the Jordanaires, Hank Garland and DJ Fontana - and the repertoire included 'Fever,' 'The Girl Of My Best Friend,' 'Reconsider Baby,' 'Such A Night.'" Sound Quality = 95% out of 100% - Ken Kessler, Hi-Fi News , December 2010 "...This 45 RPM mastering by George Marino at Sterling Sound is astonishing. Yes, the double 45 RPM format is bound to yield a sonic improvement and I'd never bet against Kevin Gray and Steve Hoffman at AcousTech, but this sounds so far superior in almost every way." Music = 10/11; Sound = 10/11 - Michael Fremer, musicangle The ultra-hyped, hugely celebrated return of the King most certainly did not disappoint. Elvis Presley's first full-length release after leaving the Army, aptly titled Elvis Is Back! was the answer to Elvis fans waiting anxiously for new material. Record label executives worried about whether he'd still be able to crank out the hits. Radio stations were dying for something new for their most requested playlist. It all combined to mount tremendous pressure on Elvis and all involved to deliver something that lived up to expectations. As it turned out, it was worthy of a giant yellow exclamation point on the front cover! Almost immediately after his service time had ended, Elvis entered the studio in March 1960 to record a batch of songs that would go on to become monumental worldwide hits. The singles "Are You Lonesome Tonight" and "It's Now Or Never" created a tidal wave of excitement. And the LP tracks like "Fever," "The Thrill Of Your Love," "Dirty, Dirty Feeling" and "Like A Baby" confirmed that the King was still able to deliver a whole program worth of incomparable material. Listen to "Fever" at 45 RPM if you want to show someone what this hobby of yours is all about. Just vocals, bass and finger-snapping, it sounds so dark and haunting. It's worth the price of admission for just this one track alone. While Presley's records, in the eyes of some reviewers, yielded inconsistencies (mostly songs he recorded at the suggestion of others to appeal to a certain audience or tie-in with a film), there's not one example of musical filler or a single forgettable performance on this 1960 gem. Until now, Elvis fans have satiated their desires with the prized DCC double LP edition (regularly commanding upwards of $200 on eBay) as well as the DCC gold disc (a rare find fetching $150 and more). Now no longer do you have to pay a premium to enjoy the magic of Presley's voice, rhythms and foundation-paving melodies. Mastered by George Marino, the King's best work has never sounded so intimate, detailed, present and alive. Images are true, tones are balanced, and the unbeatable warmth that only analog provides comes through unabated on every cut. Recorded over the course of two marathon sessions (one taking place in Hollywood and the other in Nashville), the sound is wonderfully natural and present. Every alluring shade, texture, and contour of Presley's voice comes into your room with sheer transparency. Buy a copy and order another to keep sealed as an investment for when these sought-after platters go out of print. You won't be sorry. Make Me Know It  Fever  The Girl of My Best Friend  I Will Be Home Again  Dirty, Dirty Feeling  Thrill of Your Love Soldier Boy  Such a Night  It Feels So Right  Girl Next Door Went A'Walking Like a Baby  Reconsider Baby 

Label: Acoustic Sounds Jazz High Quality, 45 Rpm Tracklist Body And Soul They Can't Take That Away From Me Darn That Dream Let's Call The Whole Thing Off Comes Love Gee, Baby, Ain't I Good To You Embraceable You Moonlight In Vermont 

WONDER, STEVIE  Songs In the Key..+ 7" 2lp -180gr. Vinyl + 7" + Coupon For Mp3 Download of Th Track list Tracklist A1 Love's In Need Of Love Today Percussion [Collinga] - Eddie "Bongo" Brown A2 Have A Talk With God Written-By - Calvin Hardaway, Stevie Wonder A3 Village Ghetto Land Written-By - Shatema Byrd, Stevie Wonder A4 Contusion Backing Vocals - Artece May, Josie James, Michael Gray (2), Shirley BrewerVocals - Wonderlove A5 Sir Duke Alto Saxophone - Hank Redd Tenor Saxophone - Trevor Lawrence Trumpet - Raymond Maldonado*, Steve Madaio B1 I Wish Alto Saxophone - Hank Redd Backing Vocals - Renee HardawayTenor Saxophone - Trevor LawrenceTrumpet - Raymond Maldonado*, Steve Madaio B2 Knocks Me Off My Feet B3 Pastime Paradise Percussion - Bobbye Hall, Raymond Maldonado* B4 Summer Soft Organ - Ronnie FosterPercussion - Nastee Latimer* B5 Ordinary Pain Alto Saxophone - Hank Redd Backing Vocals - Charity McCrary, Deniece Williams, Linda McCrary, Lynda Laurence, Madelaine 'Gypsy' Jones, Mary Lee Whitney, Minnie Riperton, Sundray Tucker, Syreeta Wright, Terry HendricksVocals - Shirley Brewer C1 Isn't She Lovely C2 Joy Inside My Tears Backing Vocals - Susaye Green* C3 Black Man Alto Saxophone, Tenor Saxophone - Hank ReddTrombone - George Bohanon, Glen Ferris*Trumpet - Steve Madaio D1 Ngiculela - Es Una Historia - I Am Singing Percussion - Amale Mathews, Charles Brewer, John Fischbach, Josette Valentino, Marietta Waters, Nathan Watts, Nelson Hayes, Renee Hardaway, Shirley Brewer D2 If It's Magic Harp - Dorothy Ashby D3 As Backing Vocals - Mary Lee WhitneyDrums - Greg BrownGuitar - Dean ParksKeyboards - Herbie Hancock D4 Another Star Alto Saxophone - Hank ReddBacking Vocals - George Benson, Josie JamesFlute - Bobbi HumphreyGuitar - George BensonPercussion - Nathan Alford, Jr.Tenor Saxophone - Trevor LawrenceTimbales - Carmello Hungria Garcia*Trumpet - Raymond Maldonado*, Steve Madaio A Something's Extra E1 Saturn E2 Ebony Eyes Saxophone - Jim HornSteel Guitar - Sneaky Pete Kleinow F1 All Day Sucker Backing Vocals - Carolyn DennisLead Guitar - WG "Snuffy" Walden F2 Easy Goin' Evening (My Mama's Call)     Entreprises, etc. Record Company - UMG Recordings, Inc. Record Company - Universal International Music B.V. Phonographic Copyright (p) - Motown Records Pressed By - Optimal Media GmbH - BH82077 Crédits Bass - Nathan Watts (tracks: A4 to B1, D3, D4, E2, F2) Drums - Raymond Pounds (tracks: A4 to B1) Keyboards - Greg Phillinganes (tracks: A4, C1, C2, E1) Lead Guitar - Michael Sembello (tracks: A4, A5, B5, E1, F1) Producer, Arranged By, Composed By, Written-By - Stevie Wonder Rhythm Guitar - Ben Bridges (tracks: A4, A5, B4, E1, F1) Notes Including voucher to download MP3 version of the album. Gatefold cover. Made in the EU.

Label: Analogue Productions (Blue Note) ABNJ 84071  UPC: 753088407116 Category: 45 RPM Vinyl Record No. of Discs: 2 Dave Bailey, drums Grant Green, guitar Ben Tucker, bass 01 No.1 Green Street 02 'Round About Midnight 03 Grant's Dimensions 04 Green with Envy 05 Alone Together 06 Green with Envy (Alternate Take) 07 Alone Together (Alternate Take)Réf.: CBNJ84071SA

Bartók*, Renaud Capuçon, The London Symphony Orchestra, François-Xavier Roth ‎- Violin Concertos Nos. 1 & 2 Label:Erato ‎- 0190295708078Format:CD, Album Country:EuropeSortie:2018Genre:ClassicalStyle:Modern Tracklist Violin Concerto No. 1 Sz 36 1 Andante Sostenuto 2 Allegro Giocoso Violin Concerto No. 2 Sz 112 3 Allegro Non Troppo 4 Andante Tranquillo 5 Allegro Molto Crédits Composed By - Béla Bartók Conductor - François-Xavier Roth Orchestra - The London Symphony Orchestra Violin - Renaud Capuçon

RONDEAU, JEAN Sonatas By Domenico Scarlatti 1-LP Holland Classical For his third Erato album of harpsichord music, Jean Rondeau turns to Domenico Scarlatti and some 20 of the often-dazzling sonatas that the Neapolitan composer wrote during his years at the royal court in Madrid. Imbued with the spirit of the dance, they are works that Rondeau uses "to tell a story for the people who will listen to an album from beginning to end ... An artist must consider how he tells his story, how he can stimulate the public's curiosity." Label:Erato ‎- 0190295633684, Warner Classics ‎- 0190295633684 Tracklist 1 K.208 5:05 2 K.175 3:59 3 K.162 7:24 4 K.216 5:49 5 K.69 3:27 6 K.141 4:15 7 K.213 5:46 8 K.119 5:46 9 K.6 3:23 10 K.481 7:27 Notes Recording: 7-11.I.2018, Salle de Musique de la Chaux de Fonds, Switzerland Harpsichord: Jonte Knif & Arno Pelto, 2006, from German models

180gr. 1-LP Holland High Quality, Remastered, Half Speed, Download Code • Remastered at Abbey Road Studios using 'half-speed' mastering process and pressed on heavyweight, 180gm vinyl. Tracklist A1 Message In A Bottle 4:49 A2 Regatta De Blanc 3:05 A3 It's Alright For You 3:14 A4 Bring On The Night 4:16 A5 Deathwish 4:13 B1 Walking On The Moon 4:59 B2 On Any Other Day 2:56 B3 The Bed's Too Big Without You 4:24 B4 Contact 2:39 B5 Does Everyone Stare 3:49 B6 No Time This Time 3:18 

Deuxième album live par Genesis, enregistrée au Pavillon de Paris en 1977 pendant le WInd & Wuthering Tour. Suite au départ de Peter Gabriel, Phil Collins reprends la leadership du groupe en présentant trois percussions sur scene.... Une bonne partie des tubes principales de la première - et de loin la meilleure pour nous  - période du groupe y sont présentées. Mastered At Abbey Road Studios - Half Speed Mastering - ARHSDLP003 Format:2 × Vinyl, LP, Album, Limited Edition, Reissue, Remastered, Half Speed Mastered Tracklist A1 Squonk 6:27 A2 The Carpet Crawl 5:10 A3 Robbery Assault & Battery 6:00 A4 Afterglow 4:18 B1 Firth Of Fifth 8:37 B2 I Know What I Like 8:34 B3 The Lamb Lies Down On Broadway 5:05 B4 The Musical Box (Closing Section) 2:44 C Supper's Ready 24:30 D1 Cinema Show 11:00 D2 Dance On A Volcano 4:22 D3 Los Endos 6:24 Entreprises, etc. Published By - Anthony Banks Ltd. Published By - Philip Collins Ltd. Published By - Stephen Hackett Ltd. Published By - Michael Rutherford Ltd. Published By - EMI Music Publishing Ltd. Recorded By - Manor Mobile Mixed At - Trident Studios Pressed By - Optimal Media GmbH - BJ61290 Crédits Art Direction - Frank Sanson Drums [Ludwig, Harman], Percussion - Bill Bruford Drums [Pearl], Performer - Chester Thompson Drums [Premier, Gretch], Vocals [Voice] - Phil Collins Electric Piano [RMI], Organ [Hammond T.], Keyboards [ARP Pro Soloist], Mellotron [Melotron 400], Twelve-String Guitar [Epiphone], Backing Vocals [Backing Voices] - Tony Banks Guitar [Gibson Les Paul], Twelve-String Guitar [Hokada] - Steve Hackett Lacquer Cut By - Miles Showell Layout - A.D. Design Mastered By - Miles Showell, Nick Davis Photography By - Armando Gallo, Graham Wood (5), Robert Ellis (4) Producer - David Hentschel, Genesis Producer [Assistant] - Neil Ross Twelve-String Guitar [Shergold Guitar & Bass], Bass [8 String], Twelve-String Guitar [Alvarez], Pedalboard [Moog Taurus Bass Pedals], Backing Vocals [Backing Voices] - Mike Rutherford Written-By - Rutherford* (tracks: A1, A2, B1 to D3), Gabriel* (tracks: A2, B1 to C, D1), Collins* (tracks: A2, A3, B1 to D3), Hackett* (tracks: A2, B1 to D3), Banks* (tracks: A1 to D3) Notes Gatefold cover. Recorded in Paris 76/77 with the Manor Mobile Mixed at Trident, London.