Platines vinyle

Ampli intégré Luxman L-505uX II, premier main, parfait. Vente pour montée en gamme Luxman. 1 an de garantie incluse. Emballage et télécommande naturellement. Fiche produit complète sur  Luxman l-505ux Mark II

Mobile Fidelity Sound Lab ‎- SACD Original Master Recording -  Elenco tracce 1 Better Git It In Your Soul 7:28 2 Goodbye Pork Pie Hat 4:53 3 Boogie Stop Shuffle 3:47 4 Self-Portrait In Three Colors 3:11 5 Open Letter To Duke 5:01 6 Bird Calls 3:17 7 Fables Of Faubus 8:20 8 Pussy Cat Dues 6:35 9 Jelly Roll 4:04 

Label: Harmonia Mundi  Tracklist Concerto per due Violini in Do Maggiore, RV 507 1 Allegro 5:16 2 Largo 3:01 3 Allegro 4:18 Concerto per due Violini in Sib Maggiore, RV 529 4 Allegro 3:57 5 Adagio 3:33 6 Allegro 3:20 Concerto per due Violini in Do Minore, RV 510 7 Allegro 3:05 8 Largo 1:45 9 Allegro 2:22 Concerto per due Violini in Do Maggiore, RV 505 10 Allegro 3:45 11 Andante 2:38 12 Allegro non molto e cantabile 3:44 Concerto a 4 in Re Minore, RV 127 13 Allegro 1:30 14 Largo 2:03 15 Allegro 1:34 Concerto per due Violini in Sib Maggiore, RV 527 16 Allegro 3:51 17 Largo 2:41 18 Allegro molto 2:46 Concerto per due Violini in Re Maggiore, RV 513 19 Allegro molto 5:38 20 Andante 3:43 21 Allegro 5:27 

Label : Universal / Geffen Tracklist A1 Get Over It              Written-By - Don Henley, Glenn Frey 3:33 A2 Love Will Keep Us Alive      Written-By - Jim Capaldi, Paul Carrack, Pete Vale* 4:03 A3 The Girl From Yesterday      Written-By - Glenn Frey, Jack Tempchin 3:24 A4 Learn To Be Still      Producer - The Eagles*, Rob Jacobs, Stan LynchWritten-By - Don Henley, Stan Lynch 4:28 B1 Tequila Sunrise      Written-By - Don Henley, Glenn Frey 3:28 B2 Hotel California       Written-By - Don Felder, Don Henley, Glenn Frey 7:12 B3 Wasted Time             Written-By - Don Henley, Glenn Frey 5:19 B4 Pretty Maids All In A Row        Written-By - Joe Vitale, Joe Walsh 4:26 C1 I Can't Tell You Why            Written-By - Don Henley, Glenn Frey, Timothy B. Schmit 5:11 C2 New York Minute            Written-By - Danny Kortchmar, Don Henley, Jai Winding 6:37 C3 The Last Resort                Written-By - Don Henley, Glenn Frey 7:24 D1 Take It Easy                      Written-By - Glenn Frey, Jackson Browne 4:36 D2 In The City                       Written-By - Barry DeVorzon*, Joe Walsh 4:07 D3 Life In The Fast Lane           Written-By - Don Henley, Glenn Frey, Joe Walsh 6:01 D4 Desperado                    Written-By - Don Henley, Glenn Frey 4:15 

Label: L'autre Distribution  Tracklist 1 Memories of Paris 2 Brazilian Like 3 She Did it Again 4 Michel On My Mind 5 Les Grelots 6 Looking Up 7 Bite 8 Guadeloupe 9 Rachid 10 Colors 11 Little Peace in C 12 Hidden Joy 13 September Second 14 Chorinino 

Label: Universal Tracklist Kenner Boogie 3:22 What A Wonderful World 4:53 Chopinesque 3:42 Saint James Infirmary Blues 4:18 Nocturne No. 1 in D Minor 3:26 The Very Thought Of You 4:37 Green Hill Zone 2:54 Mr. Buddy 3:44 Is It Over 5:38 Smile 1:11 Don't Stop 3:49 

Label: Analogue Productions - Tracklist A1 No Blues Written-By - Davis* B1 If You Could See Me Now Written-By - Sigman*, Dameron* C1 Unit 7 Written-By - Jones* C2 Four On Six Written-By - Montgomery* D1 What's New? Written-By - Haggart*, Burke* Copyright © - The Verve Music Group Publié par - Musical Frontiers Publié par - Robbins Music Corp. Publié par - Upam Music Co. Publié par - Taggie Music Co. Publié par - M. Witmark & Sons Fabriqué par - Universal Music Enterprises Enregistré à - Half Note Enregistré à - Van Gelder Studio, Englewood Cliffs, New Jersey Masterisé à - Sterling Sound Pressé par - Quality Record Pressings Crédits Bass - Paul Chambers (3) Design [Cover Design] - Acy Lehman Drums - Jimmy Cobb Engineer - Rudy Van Gelder Engineer [Director of Engineering] - Val Valentin Guitar - Wes Montgomery Liner Notes - Chuck Taylor (4) Photography By [Cover Photo] - Jon Henry Piano - Wynton Kelly Producer - Creed Taylor Notes Recorded June 1965 at the Half Note, New York City; and September 22, 1965 at Van Gelder Studio, Englewood Cliffs, New Jersey.

Numbered Limited Edition (3,500 copies). This set is out of print. Tracklist Presenting The Gerry Mulligan Sextet (Emarcy MG 36056) A1 Mud Bug 5:08 A2 Sweet And Lovely 5:08 A3 Apple Core 5:28 A4 Nights At The Turntable 4:39 B1 Broadway 6:37 B2 Everything Happens to Me 5:24 B3 The Lady Is a Tramp 5:14 B4 Bernie's Tune 6:40 The Gerry Mulligan Sextet - Mainstream Of Jazz (Emarcy MG36101) C1 Elevation 6:44 C2 Mainstream 6:45 C3 Ain't It The Truth 5:15 D1 Igloo 6:50 D2 Blue At The Roots (Root Blues) 5:45 D3 Lollypop 5:48 A Profile Of Gerry Mulligan (Mercury MG20453) E1 Makin' Whoopee 3:57 E2 Demanton 5:33 E3a Duke Ellington Medley - Moon Mist E3b Duke Ellington Medley - In A Sentimental Mood F1 Westwood Walk 4:20 F2 La Plus Que Lente 3:23 F3 Blues 8:20 The Gerry Mulligan Sextet - Mainstream Of Jazz Vol. 2 (Mercury 159J-35) G1 Blues (first version) 7:00 G2 The Lady Is A Tramp 5:40 G3 Demanton (first version) 5:37 H1 Broadway (first version) 6:35 H2 Sweet And Lovely (short version) 2:44 H3 Bernie's Tune (short version) 2:36 H4 Blues (alternate take) 8:23 The Gerry Mulligan Sextet - Mainstream Of Jazz Vol. 3 (Mercury 159J-36) I1 Broadway (alternate take) 6:30 I2 Demanton (alternate take) 6:21 I3 Everything Happens To Me (alternate take 1) 5:34 J1 Everything Happens To Me (alternate take 2) 6:35 J2 The Lady Is A Tramp (alternate take) 5:23 J3 Westwood Walk 5:18 J4 La Plus Que Lente (first version) 3:35 Sociétés, etc. Masterisé à - Sterling Sound Crédits Baritone Saxophone, Piano - Gerry Mulligan Bass - Peck Morrison Drums - Dave Bailey Liner Notes - Ira Gitler Mastered By - Ryan Smith (2) Tenor Saxophone - Zoot Sims Trumpet - Jon Eardley Valve Trombone, Piano - Bob Brookmeyer

Label: IMPEX   JAZZ Remastered from the original analog stereo masters Features performances by John Coltrane, Miles Davis, Bill Evans, Ben Webster and 27 more jazz greats! Tracklist A1 The Jitterbug Waltz Written-By - Thomas Waller A2 Nuages Written-By - Django Reinhardt A3 Night In Tunisia Written-By - John Gillespie*, Frank Paparelli B1 Blue And Sentimental Written-By - William Count Basie*, Jerry Livingston, Mack David B2 Stompin' At The Savoy Written-By - Andy Razaf, Benny Goodman, Chick Webb, Edgar M. Sampson* B3 Django Written-By - John Lewis  C1 Wild Man BluesWritten-By - Jelly Roll Morton, Louis Armstrong C2 Rosetta Written-By - William Henri Woode* D1 'Round Midnight Written-By - Bernie Hanighen, Cootie Williams, Thelonious Monk D2 Don't Get Around Much Anymore Written-By - Duke Ellington, Sidney Keith Russell D3 In A Mist Written-By - Bix Beiderbecke  Crédits Alto Saxophone - Gene Quill (pistes : A3, B2, D3), Phil Woods (pistes : A1, A3, B2, B3, C1, D1, D3) Baritone Saxophone - Teo Macero (pistes : A3, B2, D3) Baritone Saxophone, Bass Clarinet - Jerome Richardson (pistes : A1, B3, C1, D1) Bass - George Duvivier (pistes : A2, B1, C2, D2), Milt Hinton (pistes : A3, B2, D3), Paul Chambers (3) (pistes : A1, B3, C1, D1) Bass, Tuba - Major Holley (pistes : A2, B2, C2, D2) Conductor, Arranged By - Michel Legrand Drums - Don Lamond (pistes : A2, B1, C2, D2), Kenny Dennis (pistes : A1, B3, C1, D1), Osie Johnson (pistes : A3, B2, D3) Flute - Herbie Mann (pistes : A1, A2, B1, B3, C1, C2, D1, D2) French Horn - James Buffington* (pistes : A3, B2, D3) Guitar - Barry Galbraith (pistes : A1, B3, C1, D1) Harp - Betty Glamann (pistes : A1, B3, C1, D1) Lacquer Cut By - CB* Mixed By - Mark Wilder Piano - Bill Evans (pistes : A1, B3, C1, D1), Hank Jones (pistes : A2, B1, C2, D2), Nat Pierce (pistes : A3, B2, D3) Remastered By - Bob Donnelly, Chris Bellman Tenor Saxophone - Ben Webster (pistes : A2, B1, C2, D2), John Coltrane (pistes : A1, B3, C1, D1), Seldon Powell (pistes : A3, B2, D3) Trombone - Billy Byers (pistes : A2, B1, C2, D2), Eddie Bert (pistes : A2, B1, C2, D2), Frank Rehak (pistes : A2, A3, B1, B2, C2, D2), Jimmy Cleveland (pistes : A2, A3, B1, B2, C2, D2, D3), Jimmy Cleveland (pistes : A3, B1, D3) Trumpet - Art Farmer (pistes : A3, B2, D3), Donald Byrd (pistes : A3, B2, D3), Ernie Royal (pistes : A3, B2, D3), Joe Wilder (pistes : A3, B2, D3), Miles Davis (pistes : A1, B3, C1, D1) Vibraphone [Vibraharp] - Don Elliot* (pistes : A3, B2, D3), Eddie Costa (pistes : A1, B3, C1, D1) Notes "Legrand Jazz With Thirty-One Of America's Greatest Jazzmen Featuring Miles Davis" Tracks A1, B3, C1, D1 - Recorded June 25, 1958 (New York City) Tracks A2, B1, C2, D2 - Recorded June 27, 1958 (New York City) Tracks A3, B2, D3 - Recorded June 30, 1958 (New York City) Limited to 3000 copies worldwide Includes Exclusive Large-Format Booklet with New Art & an Appreciation by Tom Schnabel Now available as a 45 RPM 180-gram 2LP pressed at RTI, enabling a richer sonic experience! The music spread over four sides of vinyl reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. In 1958, a young, successful French composer-arranger with a major infatuation on American jazz, worked his way to New York and convinced the very best players of the time to record an album of largely jazz standards. Michel Legrand would go on to win numerous prizes and accolades (3 Oscars, 5 Grammies, 2 Palmes D'or, etc.), but little of what followed matched the sheer brilliance of Legrand Jazz . Miles Davis, John Coltrane, Bill Evans, Ben Webster, Phil Woods and practically every other session man in town signed up for sessions with Legrand to record his idiosyncratic arrangements of standards ("Django", "Don't Get Around Much Anymore", "Night in Tunisia", etc.). Instead of regurgitating then-current bop styles, he reinvented the very nature of orchestral jazz band repertoire to make a unique and forward-looking statement on the genre. The sound of Impex's all-analog LP preserves the wide soundstage of late 50's Columbia recordings while creating intimate spaces between players on the stage for maximum definition. This rare, highly-praised recording has never sounded as good as it does now. Go big with Legrand Jazz . Legrand Jazz was greeted by an enthusiastic review in the magazine Down Beat . Dom Cerulli awarded it five stars out of a possible five. The meticulously recreated outer jacket is packaged in a gatefold with an original photo montage inside honoring Michel Legrand's masterpiece of reinvention and sublime fan-boy enthusiasm. Features: • Mastered by Chris Bellman and Bob Donnelly on Bernie Grundman Mastering's all-tube cutting system, Hollywood, California • Analog mix-down transfer of the original 1958 work tapes by Mark Wilder at Battery Studios, New York, NY • Plated and pressed at RTI, supervised by Rick Hashimoto • Gatefold jacket housed inside a resealable, protective plastic sleeve Musicians: Michel Legrand, conductor, arranger (All songs) Side 1: 1. The Jitterbug Waltz (Fats Waller) 2. Nuages (Django Reinhardt) 3. Night In Tunisia (Dizzy Gillespie) 4. Blue And Sentimental (Count Basie) 5. Stompin' At The Savoy (Benny Goodman) 6. Django (John Lewis) Side 2: 1. Wild Man Blues (Jelly Roll Morton) 2. Rosetta (Earl Hines) 3. 'Round Midnight (Thelonious Monk) 4. Don't Get Around Much Anymore (Duke Ellington) 5. In A Mist (Bix Beiderbecke) 

Label: EmArcy (Acoustic Sounds Series) Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes 180-gram LPs pressed at Quality Record Pressings! Stoughton Printing gatefold old-style tip-on jackets Series supervised by Chad Kassem CEO of Acoustic Sounds Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' new audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings. One of the most lauded (not to mention brilliant) trumpet players in the history of jazz, Clifford Brown adds to his luster on this varied program of nine engaging tunes. Featuring the 1955 version of the Clifford Brown/Max Roach Quintet, a group also including tenor saxophonist Harold Land, pianist Richie Powell, and bassist George Morrow. One of the premiere early hard bop units. Side A 1. Cherokee 2. Jacqui 3. Swingin' 4. Lands End Side B 1. George's Dilemma 2. Sandu 3. Gerkin For Perkin 4. If I Love Again 5. Take The A Train Crédits Bass - George Morrow Drums - Max Roach Lacquer Cut By - RKS* Mastered By [LP Mastering By] - Ryan Smith (2) Photography By [Inside Gatefold Photography] - Herman Leonard Piano - Richie Powell Supervised By [LP Reissue Supervisor] - Chad Kassem Tenor Saxophone [Tenor Sax] - Harold Land Trumpet - Clifford Brown Notes From back cover: Inside Gatefold Photography © Herman Leonard Photography, LLC A Verve Records release. Originally released in 1955 by EmArcy. © 2020 UMG Recordings, Inc.

Label:Blue Note Tone Poet  Tracklist A1 Cancellation Written-By - Charles TolliverWritten-By - Charles Tolliver A2 Das' DatWritten-By - Jackie McLean Written-By - Jackie McLean A3 It's TimeWritten-By - Jackie McLean Written-By - Jackie McLean B1 Revillot Written-By - Charles Tolliver B2 'SnuffWritten-By - Jackie McLean Written-By - Jackie McLean B3 TruthWritten-By - Charles Tolliver Written-By - Charles Tolliver Copyright © - UMG Recordings, Inc. Enregistré à - Van Gelder Studio, Englewood Cliffs, New Jersey Imprimé par - Stoughton Printing Co. Masterisé à - Cohearent Audio Laque coupée à - Cohearent Audio Pressé par - Record Technology Incorporated - 35145 Crédits Alto Saxophone - Jackie McLean Bass - Cecil McBee Design [Cover] - Reid Miles Drums - Roy Haynes Lacquer Cut By - KPG* Liner Notes - Nat Hentoff Mastered By - Kevin Gray Photography By [Cover Photo] - Francis Wolff Piano - Herbie Hancock Producer - Alfred Lion Recorded By - Rudy Van Gelder Supervised By [LP Supervision] - Joe Harley Trumpet - Charles Tolliver Notes Recorded on August 5, 1964.

Blue Note (Tone Poet) 180-gram LP Mastered by Kevin Gray at Cohearent Audio from the original master tape Plated and pressed at RTI The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet," on board to curate and supervise a series of reissues from the Blue Note family of labels. One of the enduring mysteries of Blue Note history is that superb sessions such as Dexter Gordon's Clubhouse (recorded in 1965) remained unreleased in the vault until the late 1970s. Recorded during the middle of Gordon's 'golden period' career renaissance after he signed with Blue Note in 1961, the tenor saxophone legend is joined by Freddie Hubbard on trumpet and the remarkable rhythm section of Barry Harris on piano, Bob Cranshaw on bass, and the great Billy Higgins on drums. Long Tall Dexter's rendition of the Sinatra evergreen "I'm a Fool To Want You" stands as one of his all-time greatest ballad performances. 1. Hanky Panky 2. I'm A Fool To Want You 3. Devilette 4. Clubhouse 5. Jodi 6. Lady Iris B [Rudy Van Gelder Edition]  Crédits Bass - Bob Cranshaw (pistes : A1, A2, B1 to B3) Drums - Billy Higgins Lacquer Cut By - KPG* Liner Notes - Ira Gitler Mastered By - Kevin Gray Photography By [Cover, Liner Photographs] - Francis Wolff Piano - Barry Harris (2) Producer - Alfred Lion Recorded By - Rudy Van Gelder Supervised By [LP Reissue Supervision] - Joe Harley Tenor Saxophone - Dexter Gordon Trumpet - Freddie Hubbard Originally released in 1979 Recorded on May 27, 1965 at the Van Gelder Studio, Englewood Cliffs, New Jersey.

Mobile Fidelity UltraDisc One-Step Carole King's Tapestry is the rare record that plays in your head the moment its title, cover art, or songs are mentioned. Ranked the 25th Greatest Album of All Time by Rolling Stone , it is the singer-songwriter LP you'd bring to the proverbial desert island if you were limited to one choice. Renowned for its lifelike production, Tapestry sounds clearer, richer, and more emotional than ever courtesy of Mobile Fidelity's UltraDisc One-Step reissue. I Feel the Earth Move So Far Away It's Too Late Home Again Beautiful Way over Yonder You've Got a Friend Where You Lead Will You Love Me Tomorrow Smackwater Jack Tapestry (You Make Me Feel Like) A Natural Woman

MASTERED FROM THE ORIGINAL MASTER TAPES WITH MOBILE FIDELITY'S ONE-STEP PROCESS: DELUXE AUDIOPHILE PRESSING LIMITED TO 6,000 NUMBERED COPIES (LIMIT TWO PER CUSTOMER) Don't call it a comeback. Not only did Blood, Sweat & Tears' eponymous album establish new precedents for musical fusion and record production upon release in late 1968, the quadruple-platinum set marked a new commercial beginning for a cross-cultural group nearly decimated months earlier when its prominent co-founder, Al Kooper, departed along with two other members. The resultant sophomore effort simply went on to top the charts for seven straight weeks, earn the Grammy Award for Album of the Year, spawn three successive Top 5 singles, and land the group a headlining slot at Woodstock. No wonder its reputation remains golden among listeners, particularly audiophiles, which have never experienced the hybrid fare in more vibrant fashion than on this collectible reissue. 1. Variations On A Theme By Erik Satie (1st And 2nd Movements) 2. Smiling Phases 3. Sometimes In Winter 4. More And More 5. And When I Die 6. God Bless The Child 7. Spinning Wheel 8. You've Made Me So Very Happy 9. Blues - Part II 10. Variation On A Theme By Erik Satie (1st Movement)

Recording : June 5th, 1958 - Studio Des Dames, Paris. Original LP issue: Polydor 46 106. Ronnell Bright was in Paris for just a simple stopover during the European tour that Sarah Vaughan was doing to represent the United States at the Universal Exhibition in Brussels. This rare date was cut at Studio des Dames in Paris on June 5, 1958 for french Polydor label and it's a stripped-down trio date with a nicely relaxed feel - one that has Ronnell Bright really opening up on the keys, in ways you don't always hear on his material with singers. This session took place in a certain euphoria on Thursday of Corpus Christi, and you can feel the joy and dynamics in music. The other players in the trio are Richard Davis on bass and the English drummer Art Morgan. Ronnell Bright (Piano) Richard Davis (Bass) Art Morgan (Drums) Side A
 R and R Groove Johnny Pate's Blues Things Ain't What They Used To Be Sail' Em Side B The Champ Easy Listening Blues Chasing Sarah Doxology Re-mastered from the original mono master tapes. Limited edition 1000 copies. 180 gr vinyl pressed by Optimal in Germany using the Metal Mothers from Pallas. Facsimile reissue using the original photo by Jean-Pierre Leloir for the back cover (front photo is lost). Double insert using an original photo by JP Leloir from the session. Each record has been visually checked to prevent defects.

Recorded February 13 and 14, 1958 in Paris Original LP issue: Phillips P 77.127 L. Tenor saxophonist Barney Wilen was not quite 21 years old at the time of this meeting with Milt Jackson, Percy Heath, and Kenny Clarke, three veterans of the Modern Jazz Quartet. But the young man is surprising mature and confident throughout the session, interpreting several of Django Reinhardt's compositions, along with a few by his French contemporaries and a pair of his own works. What's surprising about this session is the rare opportunity to hear Jackson exclusively as a pianist, as his playing is a bit more reserved than on vibes. The leader digs into his rhythm section's element with his original "B.B.B. (Bag's Barney Blues)," giving them a full chorus before making a convincing statement himself. The quartet's fluid arrangement of Thelonious Monk's "Epistrophy" swings. Percussionist Gana M'Bow is added for both "Swing 39" and "Minor Swing" to add an exotic touch. Barney Wilen easily holds his own on his first major meeting on a record date with major American jazz stars. Miles Davis recruited Wilen for his European tour dates at this time (1957), a measure of Davis's estimation of the young Barney. Ken Dryden / Allmusic Barney Wilen (Tenor Saxophone) Milt Jackson (Piano) Percy Heath (Bass) Kenny Clarke (Drums) Gana M'Bow (Percussion)* Side A Swing 39* 4'26 Vamp 4'18 Menilmontant 3'32 John's Groove 3'38 B.B.B. (Bag's Barney Blues) 6'35 Side B Swingin' Parisian Rhythm 4'28 J'ai Ta Main 2'20 Nuages 5'50 La Route Enchantée 3'05 Que Reste-T-il De Nos Amours ? 2'45 Minor's Swing* 3'47 Epistrophy 2'45 Re-mastered from original mono master tapes. Limited edition 1000 copies. 180 gr vinyl pressed by Optimal in Germany using the Metal Mothers from Pallas. Deluxe high-gloss flipback album jacket. Facsimile reissue using the original cover art. Double insert using a contact sheet from the session taken by unknown photographer. Each record has been visually checked to prevent defects.

Polydor International - 1965 Recorded at the Studio Acousti, Paris, September 23, 1965. Original LP issue: International Polydor Production - 46.871. This self-titled album is a testimony of the short lived-band led by New-York drummer Ron Jefferson during his stay in Paris in the mid-60s. After a first album under his name on Pacific Jazz in 1962, the founding member of The Jazz Modes and the Les McCann trio made the trip overseas. Here, he made his living by playing with the popular pianists Errol Parker or Hazel Scott but his main drive was this trio that he formed with two other US expats, bassist Roland Haynes (the same musician who recorded an album on Black Jazz as a pianist, as confirmed by Kirk Lightsey) and guitarist Buz Saviano. After a highly successful show at 'Palais de Chaillot' in 1965, they were invited for a series of concerts in Dakar Sénégal. On their return, Polydor International proposed them this session. You can hear the deep impact their stay in the Motherland had on their music on the stand-out track 'Africa the Beautiful'. On pair with the best of Yusef Lateef's afro-eastern explorations from the time, it showcases Ron on flute and Senegalese percussion. The album release nonetheless was a commercial failure that prompted the band's separation and Ron's return to New-York where he performed until his passing in 2007. Only a few copies of this record ever made it to the shops at the time and very few have had the chance to listen to it before this legit reissue remastered from the original MONO master tapes. - Antoine Rajon - Ron Jefferson (Drums & Flute) Buz Saviano (Guitar) Roland Haynes (Bass) Jackie Robinson (Vocal on The Speaker) Side A The Speaker (Ron Jefferson) 6'26 Africa The Beautiful(Ron Jefferson) 15'55 Fu Yu (Ron Jefferson) 4'26 Side B Every Little Bit Helps (Ron Jefferson) 24'02 Re-mastered from original mono master tapes. Limited edition 1000 copies. 180 gr vinyl pressed by Pallas in Germany. Deluxe high-gloss flipback album jacket. Facsimile reissue using the original cover art (front photo is lost). Double insert using an original photo by JP Leloir from 1965. Each record has been visually checked to prevent defects.

Sam Records and Saga present: A never-before released Billy Harper 1975 live recordings. First official release with the full permission and cooperation of the Billy Harper & INA (Institut National de l'Audiovisuel). Billy Harper Quintet - Antibes '75 Two days after recording the first album ever issued on the Black Saint label, Billy Harper and his quintet were onstage at the Antibes Juan-Les-Pins jazz festival. Though Black Saint is a phenomenal album and is rightfully considered as one of the finest jazz releases of the period, Antibes '75 shows that Billy and his men gathered momentum to push the boundaries of their studio effort even further. That night, surrounded by stars, pine woods and a captivated audience, the quintet delivered a powerful and inspired performance. Never had Harper's signature tunes "Cry of Hunger" and "Croquet Ballet" reached such a soulful expression, and we only wish that this moment of truth would have lasted a little longer. We are honored to present to you this concert for the first time on record, a 180g LP including a 6-page insert with previously unseen photos by Gérard Rouy and Thierry Trombert and an essay by Bernard Loupias. Virgil Jones (Trumpet) Billy Harper (Tenor saxophone) Joe Bonner (Piano, arranger) David Friesen (Double Bass) Malcolm Pinson (Drums) Side A Cry of Hunger 20'19 Side B Croquet Ballet 15'29 Produced by François Lê Xuan and Fred Thomas for Sam Records/Saga. Mastered from the original stereo master tapes. Limited edition 2000 copies. Cut by SST (Schallplaten Schneid Technik). 180g vinyl LP pressed by Pallas in Germany. 6-page booklet . Each record has been visually checked to prevent defects.

Signoricci Vinyl, Pure Analogue Recording, Pure Analogue Cutting, Machine Wired by Signoricci, One-Stage Pressing Process, 180gr. Virgin Vinyl Pressing, Heavy Quality Sleeves, 33rpm Petra Magoni Ferruccio Spinetti SIDE A I Giorni Di Festa 3.50 (Ziccardi) Edizioni: Fuoristagione Ed. Mus./Universal Music Publishing Ricordi Srl Disamistade 4.23 (De André, Fossati) Edizioni: Il Volatore Ed.Mus.-Nuvole Ed.Mus.-Universal Music Publishing Ricordi Srl Samba E Amor 3.57 (Buarque, Bardotti) Edizioni: Marola Edicoes Musicais Ltda Amazing Grace 3.32 Tradizionale intro Amara Terra 1.17 (Spinetti, Magoni) Edizioni: Prima O Poi-Ala Bianca Amara Terra Mia 3.05 (Modugno, Bonaccorti) Edizioni: Universal Music Publishing Ricordi Srl Passione 3.35 (Bovio, Tagliaferri, Valente) Siae Verso Sud 1.37 (Spinetti) Edizioni: Prima O Poi-Ala Bianca Total Time 25.22 SIDE B Caruso 5.18 (Dalla) Edizioni: Universal Music Publishing Ricordi Srl-Emi Music Publishing Italia Srl Io So 2.10 (Spinetti ) "Io So Che Ti Amerò" Poesia Edizioni: Prima O Poi - Ala Bianca Io So Che Ti Amerò (Eu Sei Que Vou Te Amar) 1.27 (Sergio Bardotti, Antônio Carlos Jobim, Vinicius De Moraes) Siae Anema E Core 1.39 (Salve D'esposito / Tito Manlio) Siae Abbasso Il Contrabbasso 3.49 (Carosone-Fiorentini) Edizioni: Edizioni Universal Vuelvo Al Sur 4.17 (Astor Piazzolla, Fernando Solanas) Siae Te Voglio Bene Assaje 4.06 (Ignoto, Attribuita A Raffaele Sacco..Anno 1839..) Siae O Sole Mio (BONUS TRACK) 2.31 feat. Fausto Mesolella (Giovanni Capurro, Eduardo Di Capua, Alfredo Mazzucchi) Siae Total Time 25.21 La masterizzazione per il Vinile è stata effettuata da Giulio Cesare Ricci utilizzando il sistema Signoricci interamente analogico e valvolare. Il Master è stato realizzato con l'Ampex ATR 102 (Electronic Tube Ampex Model 351 - 1965), 2 tracks, 1/2 inch, 30ips modificato da David Manley. Produzione artistica ed esecutiva: Petra Magoni e Ferruccio Spinetti Coordinamento generale: Bubba Music Petra Magoni: voce Ferruccio Spinetti: contrabbasso Registrato dal vivo il 16/09/2016 da Alessio Lotti presso il Teatro Comunale di Vicenza Mixato e masterizzato da Christian Lindemann presso IndiePendente Studio Illustrazione: Giuseppe Cristiano. Foto interna Angelo Trani

AA DAC Le nouvel AAdac est le dernier produit de la gamme PureAA. Comme les AAcento et AAphono, il s'inscrit parfaitement dans la philosophie Audio Analogue: sa conception simple, ses performances sonores remarquables et son grand soin apporté à la finition et au choix des matériaux et des pièces en font un partenaire idéal pour votre sources numériques. AAdac a une grande variété de fonctions et en entrant dans la configuration, il est possible de régler l'intensité de la led, de changer la balance des canaux, de sélectionner l'un des 7 filtres numériques et de passer en mode préamplificateur. Description technique Convertisseur D/A hautes performances jusqu'à 32bits/768khz avec Sabre ES9038. Convertisseur USB Amanero jusqu'à 32bit/384KHz. DSD natif jusqu'à 512. 7 filtres numériques différents. Entrées numériques SPDIF, Toslink, AES/EBU. Entrée audio sans fil Bluetooth aptX® de haute qualité. Conseils séparés pour chaque étape. Alimentations séparées dédiées aux sections numérique et analogique. Étage de sortie entièrement symétrique et avec des composants audiograde discrets à parfaitement supporte les platines numériques à très faible bruit et à très faible distorsion. Sortie casque de haute qualité. Possibilité d'utilisation en mode direct (DAC) ou régulé en volume (DAC + préampli). Les pilotes pour utiliser AAdac connectés à des ordinateurs avec le système d'exploitation Windows peuvent être téléchargés à partir du lien suivant: https://amanero.com/drivers.htm Aucun pilote n'est requis pour les ordinateurs MAC. Fiche complète sur  Audio Analogue AA DAC

Amplificateur pour casque Symétrique, 1600mW Amplificateur pour casque audio, 1600mW, entièrement symétrique Classe A Sorties casque 6,35mm asymétrique et 4,4mm Pentaconn Symétrique Gain par palier de +6dB

Label: Mack Avenue Records Tracklist A1 Fog  A2 Growlin' Dan - Written-By - Blanche Calloway, Clyde Hart A3 Stepsisters' Lament - Written-By - Richard Rodgers, Oscar Hammerstein* A4 Le Mal De Vivre - Written-By - Monique Andrée Serf B1 Wives And Lovers - Written-By - Hal David, Burt Bacharach*   B2 Left Over - Written-By - Cécile McLorin Salvant    B3 The Trolley Song - Written-By - Hugh Martin, Ralph Blane  B4 Monday - Written-By - Cécile McLorin Salvant   B5 What's The Matter Now? - Written-By - Clarence Williams, Spencer Williams (2)        C1 Look At Me - Written-By - Cécile McLorin Salvant   C2 Something's Coming Lyrics By - Stephen Sondheim Music By - Leonard Bernstein  C3 Underling Written-By - Cécile McLorin Salvant  D1 So In Love - Written-By - Cole Porter D2 You're Getting To Be A Habit With Me - Written-By - Al Dubin, Harry Warren (2)  D3 Personne - Written-By - Michel Emer Crédits Accordion - Vincent Peirani (pistes : D3) Double Bass - Paul Sikivie Drums - Lawrence Leathers Piano - Aaron Diehl Producer - Al Pryor

Ampli preampli stéreo  symétrique Fiche complete  Audio Analogue Maestro Anniversary Finition silver ou noir Specifications techniques Canaux 2 Entrées RCA 3 Entrées XLR 2 Impedance d'entree 47KOhm Signal d'entrée maximum 6Vrms Puissance sous 8 Ohm150W @ 1% THD + N Puissance sous 4Ω300W @ 1% THD + N Puissance sous 2Ω500W @ 1% THD + N Sensibilité (a la puissance nominale sous 8 Ohm) 720Rrms Réponse en fréquence (atten. 0dB, Banda a -3dB)90KHz Resistance de sortie (a la puissance nominale sous 2 Ohm, a 1 KHz)0.2Ohm Bruit en entree (bande de 0Hz a 80KHz, ponderé A)=20µV/=10µV Rapport signal/bruit=100 dB Consommation en Standby (en 230 V alternatifs)0.7W Dimensions (HxLxP) 168x450x550 mm Masse 31 Kg

Nonesuch Records Produced by T. Bone Burnett Album CD included Rhiannon Giddens makes her solo recording debut with Tomorrow Is My Turn . The album, produced by T Bone Burnett, features a broad range of songs from genres as diverse as gospel, jazz, blues, and country, including works made famous by Dolly Parton, Patsy Cline, Odetta, and Nina Simon. Burnett first worked with Giddens when she performed last fall at a concert he curated at New York City's Town Hall that was later broadcast on Showtime: "Another Day, Another Time: Celebrating the Music of 'Inside Llewyn Davis.'" Backstage, Burnett was immediately moved to ask if he could produce a record with her. "It was clear the first time I heard her at rehearsal that Rhiannon is next in a long line of singers that include Marian Anderson, Odetta, Mahalia Jackson, Rosetta Tharpe," Burnett says. "We need that person in our culture." Tomorrow Is My Turn was recorded in Los Angeles and Nashville, with a multi-generational group of players whom Burnett assembled. Among them are fiddle player Gabe Witcher and double bassist Paul Kowert of label-mates Punch Brothers; percussionist Jack Ashford of Motown's renowned Funk Brothers; drummer Jay Bellerose; guitarist Colin Linden; legendary backup singer Tata Vega; veteran Nashville session bassist Dennis Crouch; and Giddens' Drops touring band-mates, multi-instrumentalist Hubby Jenkins and beat-boxer Adam Matta. Tomorrow Is My Turn follows Giddens' work with Elvis Costello, Taylor Goldsmith, Jim James, and Marcus Mumford on Lost On The River: The New Basement Tapes, an album also produced by Burnett that was released in November 2014. Her contribution was hailed by Rolling Stone magazine as the "showstopper...evoking antebellum blues with a magnificent voice that interrogates the myths stirred up at Big Pink." The New York Times agreed, saying "On lead vocals she's the album's revelation, singing melodies that hark back to Celtic modes with a decisive presence and a haunting grace." Side 1 1. Last Kind Words 2. Don't Let It Trouble Your Mind 3. Waterboy 4. She's Got You 5. Up Above My Head 6. Tomorrow Is My Turn Side 2 7. Black Is The Color 8. Round About The Mountain 9. Shake Sugaree 10. O Love Is Teasin' 11. Angel City